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BIJUTSU SHUPPAN-SHA CO., LTD.
| Address | 3-1-1 Kamiosaki Shinagawaku Tokyo, JAPAN ZIP:141-8203 |
|---|---|
| Representative Name | TAKAYUKI TOYAMA |
| Annual Revenue | closed |
| No. of Employees | 40 |
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Art & Design Book
SD item code:5680734
| Detail | Price & Quantity | ||
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| S1 |
Noi Sawaragi (Author)
 Original text before translation
椹木 野衣(著）
(20266)
JAN:978-4568202663
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(20266)
JAN:978-4568202663
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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19 x 13.8 x 4 cm 644 pages
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| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Product tag: None
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Description
| Noi Sawaragi's [Post-Bijutsu Theory] (Bijutsu Shuppansha) has won the 25th Yoshida Hidekazu Award, which is given to those who have published outstanding criticism in the field of art. The award was selected from 186 candidates after a screening process by architect Arata Isozaki and music critic Toshihide Katayama. [Post Art Theory" is a full-length art critique that breaks down existing art genres, and is a 600-plus-page volume compiled from 14 installments of the "Bijutsu Techo" series written between November 2010 and December 2013, spanning the period of March 11, 2011. It is an ambitious work that attempts to reconstruct the concepts of art and art criticism itself by discussing in parallel events that are never referred to within the boundaries of genres. In his review of the prize, Mr. Isozaki said, "This is not just a study or a report, but a project that no one else can imitate. [About the Yoshida Hidekazu Award] The prize was established in 1990 as an award for outstanding art criticism with the aim of promoting art and culture. The judges for this year's award are Mr. Toshihide Katayama, the winner of the 18th award, and Mr. Arata Isozaki, who replaced Mr. Hidetaro Sugimoto, who passed away in May of this year. This year, 186 books (27 music, 14 theater, 59 fine arts, 39 visual arts, 11 architecture, and 36 other) were nominated. This is the first award from an art publisher. The supplementary prize is a cash prize of 2 million yen. [Post Art Theory] What is Go-Bijutsu? By destroying established genres such as art and music, the work of art can be understood from the chaos of its origins, before the genres were born, An attempt to explore a new critique of art from the chaos of its origins before the genres were created by destroying established genres such as art and music. For example, calling the activities of John Lennon and Yoko Ono the same [post-art]. The framework of popular music and avant-garde art is removed, [marriage of music and art] - by John and Yoko, who became two artists. The horizon of creation that is given by this marriage that dissolves the genres is [post-art]. Noi Sawaragi Art critic, born in Chichibu in 1962. She is the author of "Japan *Contemporary *Art" (Shinchosha, 1998), "Simulationism" (2001), "What Happened to Art" (Kokushokan, 2006), "Art Begins Where There Is Nothing" (Shinchosha, 2007), "Introduction to Anti-Art" (Gentosha, 2010), "New Art" (Shinchosha, 2011), "Anti-Art" (Gentosha, 2011), and "New Art" (Shinchosha, 2012), 2010), [New Edition: What We Can Survive on a Flat Battlefield: A Theory by Kyoko Okazaki] (East*Press, 2012), [Introduction to Outsider*Art] (Gentosha Shinsho), [War Paintings and Nippon] (with Makoto Aida, Kodansha), [The Complete Collection of Japanese Art Vol. 19: Extending Postwar Art] (responsible editor, Shogakukan), [[. Don't Follow the Wind Official Catalogue 2015] (co-authored with Chim↑Pom, published by Kawade Shobo Shinsha). He also curates exhibitions. Currently a professor at Tama Art University. |
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artOther items from this category:
[Post Art Theory" is a full-length art critique that breaks down existing art genres, and is a 600-plus-page volume compiled from 14 installments of the "Bijutsu Techo" series written between November 2010 and December 2013, spanning the period of March 11, 2011. It is an ambitious work that attempts to reconstruct the concepts of art and art criticism itself by discussing in parallel events that are never referred to within the boundaries of genres. In his review of the prize, Mr. Isozaki said, "This is not just a study or a report, but a project that no one else can imitate.
[About the Yoshida Hidekazu Award]
The prize was established in 1990 as an award for outstanding art criticism with the aim of promoting art and culture. The judges for this year's award are Mr. Toshihide Katayama, the winner of the 18th award, and Mr. Arata Isozaki, who replaced Mr. Hidetaro Sugimoto, who passed away in May of this year. This year, 186 books (27 music, 14 theater, 59 fine arts, 39 visual arts, 11 architecture, and 36 other) were nominated. This is the first award from an art publisher. The supplementary prize is a cash prize of 2 million yen.
[Post Art Theory]
What is Go-Bijutsu?
By destroying established genres such as art and music, the work of art can be understood from the chaos of its origins, before the genres were born,
An attempt to explore a new critique of art from the chaos of its origins before the genres were created by destroying established genres such as art and music.
For example, calling the activities of John Lennon and Yoko Ono the same [post-art].
The framework of popular music and avant-garde art is removed,
[marriage of music and art] - by John and Yoko, who became two artists.
The horizon of creation that is given by this marriage that dissolves the genres is [post-art].
Noi Sawaragi
Art critic, born in Chichibu in 1962. She is the author of "Japan *Contemporary *Art" (Shinchosha, 1998), "Simulationism" (2001), "What Happened to Art" (Kokushokan, 2006), "Art Begins Where There Is Nothing" (Shinchosha, 2007), "Introduction to Anti-Art" (Gentosha, 2010), "New Art" (Shinchosha, 2011), "Anti-Art" (Gentosha, 2011), and "New Art" (Shinchosha, 2012), 2010), [New Edition: What We Can Survive on a Flat Battlefield: A Theory by Kyoko Okazaki] (East*Press, 2012), [Introduction to Outsider*Art] (Gentosha Shinsho), [War Paintings and Nippon] (with Makoto Aida, Kodansha), [The Complete Collection of Japanese Art Vol. 19: Extending Postwar Art] (responsible editor, Shogakukan), [[. Don't Follow the Wind Official Catalogue 2015] (co-authored with Chim↑Pom, published by Kawade Shobo Shinsha). He also curates exhibitions. Currently a professor at Tama Art University.