Vendor Profile
BIJUTSU SHUPPAN-SHA CO., LTD.
| Address | 3-1-1 Kamiosaki Shinagawaku Tokyo, JAPAN ZIP:141-8203 |
|---|---|
| Representative Name | TAKAYUKI TOYAMA |
| Annual Revenue | closed |
| No. of Employees | 40 |
People Also Searched
Other items from this category
SD item code:5896643
| Detail | Price & Quantity | |||
|---|---|---|---|---|
| This product is currently unavailable | ||||
| Dimensions |
|---|
|
A5 size
|
| Specifications |
|---|
|
Country of manufacture: Japan
Material / component: Paper
Product tag: None
|
Description
| FEATURED FEATURES Creating TV Dramas Where Stories are Born People need stories. Since the birth of TV dramas in Japan in the 1950s Since the birth of TV dramas in Japan in the 1950s, many scriptwriters have written stories, and TV dramas have continued to provide people with stories. Through TV dramas, which exist in popular culture The creators of these dramas are always in search of "stories that the times demand," and They have played a part in shaping the times by always seeking the "stories that the times demand. However, with the spread of the Internet and other changes in the media, the way in which stories are enjoyed has changed, The way in which stories are enjoyed and created is also changing rapidly. This special issue focuses on drama production as a form of monozukuri. TV dramas, which reflect the times, also create the times. What is the current state of storytelling as seen in TV dramas? SPECIAL FEATURE Creating TV Dramas: Where Stories are Born Minako Okamuro=Supervisor PART 1 How to create a story Screenwriter Interviews Taichi Yamada Shizuka Oishi Bakarhythm Discussion: Yuji Sakamoto's [words]. To be compassionate in this world where light and darkness mingle Hiko=text [How to Create a TV Drama, Learning from the Example of "The Prison Princess Interview with Production Staff Akira Isoyama (TBS Drama Production Manager) Hiroyasu Doi (Director, Drama Production Department, TBS) Talk: Akiko Nogi & Ryota Furusawa Writing and Watching TV Dramas TV Drama DVD Guide Column:[Quartet][Runaway is Shameful but Useful]. Reading the theme song Hiromichi Hosoma=Writing Essay: What are we looking at? Reiichi NARIMA=Writing PART2 Where the story is now Comprehensive Entertainment* Project [HiGH&LOW] Interview: Munechika Nishida Will Distribution Change the Story? The Spread of VOD and the Future of Television Video*on*Demand Featured Movies Discussion: TV Drama and Film in the Interpenetration Daisuke Watanabe=Written Special Contribution:From the North, Winter Flowers Sumito Yamashita=Writing General Comments: The Story of Drama Minako Okamuro=Writing SPECIAL FEATURE Takashi Murakami Five curators talk about five solo museum exhibitions in 2017 WORLD NEWS New York/London/Berlin+Ludwigsburg/ Metz/Jakarta+Jogjakarta/World Art Topics Bijutsu Techo×VOLVO ART PROJECT vol.2 [Shun Owada] Sayuri Kobayashi=Writing [The Arabian Way: Treasures of the Kingdom of Saudi Arabia] Sugihara, Tamaki=Writing KIYOSHI ART SPACE Mika Nagamine=Writing Yanbaru Art Festival 2017-2018 [NEMOTO Takashi Guernica Project]The 10th Nico*Nicolson Masanao Hirayama [continued] 25th episode ARTIST INTERVIEW Janet Cardiff & George Bures Miller Janet Cardiff & George Bures Miller Yukiko Yokoyama = Interviewer |
More
| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.20th to Jul.23rd |
| Air Mail | From Apr.30th to May.2nd |
| EMS | From Apr.26th to May.2nd |
| Pantos Express | From May.1st to May.8th |
| DHL | From Apr.26th to May.1st |
| UPS | From Apr.26th to May.1st |
| FedEx | From Apr.26th to May.1st |
|
Some trading conditions may be applicable only in Japan.
*Important Notice
Under the resale price maintenance system, publishers are legally allowed to specify the selling price of their books. We ask that your company also adhere to the sales price specified by us. In the unlikely event that you fail to do so, we will discontinue our business with you. We ask for your understanding in advance. |
People Also Searched:
MagazineOther items from this category:
Creating TV Dramas
Where Stories are Born
People need stories.
Since the birth of TV dramas in Japan in the 1950s
Since the birth of TV dramas in Japan in the 1950s, many scriptwriters have written stories, and
TV dramas have continued to provide people with stories.
Through TV dramas, which exist in popular culture
The creators of these dramas are always in search of "stories that the times demand," and
They have played a part in shaping the times by always seeking the "stories that the times demand.
However, with the spread of the Internet and other changes in the media, the way in which stories are enjoyed has changed,
The way in which stories are enjoyed and created is also changing rapidly.
This special issue focuses on drama production as a form of monozukuri.
TV dramas, which reflect the times, also create the times.
What is the current state of storytelling as seen in TV dramas?
SPECIAL FEATURE
Creating TV Dramas: Where Stories are Born
Minako Okamuro=Supervisor
PART 1 How to create a story
Screenwriter Interviews
Taichi Yamada
Shizuka Oishi
Bakarhythm
Discussion: Yuji Sakamoto's [words].
To be compassionate in this world where light and darkness mingle Hiko=text
[How to Create a TV Drama, Learning from the Example of "The Prison Princess
Interview with Production Staff
Akira Isoyama (TBS Drama Production Manager)
Hiroyasu Doi (Director, Drama Production Department, TBS)
Talk: Akiko Nogi & Ryota Furusawa
Writing and Watching TV Dramas
TV Drama DVD Guide
Column:[Quartet][Runaway is Shameful but Useful].
Reading the theme song Hiromichi Hosoma=Writing
Essay: What are we looking at? Reiichi NARIMA=Writing
PART2
Where the story is now
Comprehensive Entertainment* Project
[HiGH&LOW]
Interview: Munechika Nishida
Will Distribution Change the Story? The Spread of VOD and the Future of Television
Video*on*Demand Featured Movies
Discussion: TV Drama and Film in the Interpenetration Daisuke Watanabe=Written
Special Contribution:From the North, Winter Flowers Sumito Yamashita=Writing
General Comments: The Story of Drama Minako Okamuro=Writing
SPECIAL FEATURE
Takashi Murakami
Five curators talk about five solo museum exhibitions in 2017
WORLD NEWS
New York/London/Berlin+Ludwigsburg/
Metz/Jakarta+Jogjakarta/World Art Topics
Bijutsu Techo×VOLVO ART PROJECT vol.2 [Shun Owada] Sayuri Kobayashi=Writing
[The Arabian Way: Treasures of the Kingdom of Saudi Arabia] Sugihara, Tamaki=Writing
KIYOSHI ART SPACE Mika Nagamine=Writing
Yanbaru Art Festival 2017-2018
[NEMOTO Takashi Guernica Project]The 10th Nico*Nicolson
Masanao Hirayama [continued] 25th episode
ARTIST INTERVIEW
Janet Cardiff & George Bures Miller
Janet Cardiff & George Bures Miller
Yukiko Yokoyama = Interviewer
テレビドラマをつくる
物語の生まれる場所
人々には物語が必要だ。
日本では1950年代にテレビドラマが誕生して以来、
あまたの脚本家によってストーリーが書かれ、
テレビドラマは人々へ物語を提供し続けてきた。
大衆文化として存在するテレビドラマを通して、
そのつくり手たちは「時代が求める物語」をつねに探求し、
時代に寄り添い、時代をつくる一端を担ってきた。
しかし、インターネットの普及などでメディアのあり方が変わり,
物語の享受のされ方、つくり方もどんどん変化している。
本特集では、ものづくりとしてのドラマ制作を取り上げる。
時代を反映するテレビドラマは、同時に時代をつくり出す。
テレビドラマに見る、物語のつくり方、そしてその現在地とは——。
SPECIAL FEATURE
テレビドラマをつくる 物語の生まれる場所
岡室美奈子＝監修
PART1 物語のつくり方
脚本家インタビュー
山田太一
大石静
バカリズム
論考：坂元裕二の「言葉」
光と闇が混ざり合う、この世界を慈しむこと ヒコ＝文
『監獄のお姫さま』を例に学ぶ テレビドラマのつくり方
制作スタッフインタビュー
磯山晶（TBS編成部ドラマ総括）
土井裕泰（TBSドラマ制作部ディレクター）
対談：野木亜紀子×古沢良太
テレビドラマを書くこと、見ること
テレビドラマDVDガイド
コラム：『カルテット』『逃げるは恥だが役に立つ』
主題歌を読み解く 細馬宏通＝文
論考：私たちは何を見ているのだろうか？ 成馬零一＝文
PART2
物語の現在地
総合エンタテインメント・プロジェクト
『HiGH&LOW』
インタビュー：西田宗千佳
配信で物語は変わるのか？ VOD普及とテレビの行方
ビデオ・オン・デマンド注目作品
論考：相互浸透するテレビドラマと映画 渡邊大輔＝文
特別寄稿：前略、北の国から、冬の華 山下澄人＝文
総論：ドラマという物語 岡室美奈子＝文
SPECIAL FEATURE
村上隆
5人の担当キュレーターが語る、2017年、5つの美術館個展
WORLD NEWS
New York／London／Berlin+Ludwigsburg／
Metz／Jakarta+Jogjakarta／世界のアート注目トピックス
美術手帖×VOLVO ART PROJECT vol.2「大和田俊」 小林沙友里＝文
「アラビアの道─サウジアラビア王国の至宝」展 杉原環樹＝文
KIYOSHI ART SPACE 永峰美佳＝文
やんばるアートフェスティバル2017-2018
「根本敬ゲルニカ計画」第10回 ニコ・ニコルソン
平山昌尚「つづく」25話
ARTIST INTERVIEW
ジャネット・カーディフ＆ジョージ・ビュレス・ミラー
Janet Cardiff & George Bures Miller
横山由季子＝聞き手