Vendor Profile
BIJUTSU SHUPPAN-SHA CO., LTD.
| Address | 3-1-1 Kamiosaki Shinagawaku Tokyo, JAPAN ZIP:141-8203 |
|---|---|
| Representative Name | TAKAYUKI TOYAMA |
| Annual Revenue | closed |
| No. of Employees | 40 |
SD item code:6124646
| Detail | Price & Quantity | |||
|---|---|---|---|---|
| This product is currently unavailable | ||||
| Dimensions |
|---|
|
21.1 x 14.4 x 1.6 cm
|
| Specifications |
|---|
|
Country of manufacture: Japan
Material / component: Paper
Product tag: None
|
Description
| special feature (e.g. in a magazine) ART COLLECTIVE Art Collective opens the way to a new era Looking back on the history of contemporary art in Japan The power of the collective has always been a driving force for change in the system. In recent years, artists have been creating artworks that are not in harmony with the existing system. and to renew their own sense of value in art, they have once again turned to the power of the collective. to renew their own values of art. Naturally, everyone is still searching for the way to achieve this goal, and it is not clear what the goal is. Therefore, in this special issue, we will introduce the practices of various art* collectives and and issues of various art* collectives and attempted to conduct case studies. We hope to find hints for the next generation of art that has yet to be discovered. SPECIAL FEATURE ART COLLECTIVE Art Collective opens the way to a new era. PART 1: Japan's Collectives Today Why collectives now? Ongoing Collective What kind of expression emerges from collective activities? Purple Room/contact Gonzo/hyslom/new antiques OLTA/JAPONICA/Catharsis on the shore/Milk Warehouse+Coconut REPORT Chim↑Pom [Road] Project in Taiwan Public sphere born from complicity How to create our own platform? kohon-ya honkbooks/Super Open Studio NETWORK/Geishuku/Arguments/ National Okutama Museum of Art/Taneri Studio/Alternative Space Core/BARRAK What is the strategy of a group working with a company? Rhizomatiks/TeamLab/WOW/THE EUGENE Studio CROSS TALK Where is the collective headed? Naohiro Ukawa x Yohei Kurose x SIDE CORE Column 1: What is the "Age of Artworks"? Hiroki Harada=Writing Column 2: The Community of Production: From Situationalism to the Quest for Principle, Sekai Agatsuma=Writing SPECIAL ARTWORK Yoichi Umezu + Purple Room / SIDE CORE / OLTA / Japonika PART2 Collective reports from around the world Indonesia/Malaysia/Thailand/Cambodia/Vietnam Hong Kong / Korea / Taiwan / Russia / Germany / U.S.A. Column: [Gathering Together] Creates Reality A sketch of collectives in Southeast Asia: Kenichiro Egami=written Chronology of Art Collectives A History of Artists*Collectives in Postwar Japan Hiroki Tsutsui=Writing*Composition ESSAY Rethinking Collectivism in Japan The DNA of the DIY Spirit in [Operation] Reiko Tomii=Writing .............................. ARTIST INTERVIEW Rafaël Rozendaal Hiroki Harada=Listener |
More
| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.30th to Aug.2nd |
| Air Mail | From May.14th to May.16th |
| EMS | From May.13th to May.16th |
| Pantos Express | From May.15th to May.20th |
| DHL | From May.13th to May.15th |
| UPS | From May.13th to May.15th |
| FedEx | From May.13th to May.15th |
|
Some trading conditions may be applicable only in Japan.
*Important Notice
Under the resale price maintenance system, publishers are legally allowed to specify the selling price of their books. We ask that your company also adhere to the sales price specified by us. In the unlikely event that you fail to do so, we will discontinue our business with you. We ask for your understanding in advance. |
People Also Searched:
MagazineOther items from this category:
ART COLLECTIVE
Art Collective opens the way to a new era
Looking back on the history of contemporary art in Japan
The power of the collective has always been a driving force for change in the system.
In recent years, artists have been creating artworks that are not in harmony with the existing system.
and to renew their own sense of value in art, they have once again turned to the power of the collective.
to renew their own values of art.
Naturally, everyone is still searching for the way to achieve this goal, and it is not clear what the goal is.
Therefore, in this special issue, we will introduce the practices of various art* collectives and
and issues of various art* collectives and attempted to conduct case studies.
We hope to find hints for the next generation of art that has yet to be discovered.
SPECIAL FEATURE
ART COLLECTIVE
Art Collective opens the way to a new era.
PART 1: Japan's Collectives Today
Why collectives now?
Ongoing Collective
What kind of expression emerges from collective activities?
Purple Room/contact Gonzo/hyslom/new antiques
OLTA/JAPONICA/Catharsis on the shore/Milk Warehouse+Coconut
REPORT
Chim↑Pom [Road] Project in Taiwan
Public sphere born from complicity
How to create our own platform?
kohon-ya honkbooks/Super Open Studio NETWORK/Geishuku/Arguments/
National Okutama Museum of Art/Taneri Studio/Alternative Space Core/BARRAK
What is the strategy of a group working with a company?
Rhizomatiks/TeamLab/WOW/THE EUGENE Studio
CROSS TALK
Where is the collective headed?
Naohiro Ukawa x Yohei Kurose x SIDE CORE
Column 1: What is the "Age of Artworks"? Hiroki Harada=Writing
Column 2: The Community of Production: From Situationalism to the Quest for Principle, Sekai Agatsuma=Writing
SPECIAL ARTWORK
Yoichi Umezu + Purple Room / SIDE CORE / OLTA / Japonika
PART2 Collective reports from around the world
Indonesia/Malaysia/Thailand/Cambodia/Vietnam
Hong Kong / Korea / Taiwan / Russia / Germany / U.S.A.
Column: [Gathering Together] Creates Reality
A sketch of collectives in Southeast Asia: Kenichiro Egami=written
Chronology of Art Collectives
A History of Artists*Collectives in Postwar Japan Hiroki Tsutsui=Writing*Composition
ESSAY
Rethinking Collectivism in Japan
The DNA of the DIY Spirit in [Operation] Reiko Tomii=Writing
..............................
ARTIST INTERVIEW
Rafaël Rozendaal
Hiroki Harada=Listener
ART COLLECTIVE
アート・コレクティブが時代を拓く
日本の現代美術の歴史を振り返ると、
集団の力はつねに、体制を変革する機動力としてきた。
そして近年、アーティストたちは既存の制度への違和感から、
自ら美術の価値観を更新すべく、再びコレクティブの力を駆動させ、
地殻変動を起こそうとしている。
当然その方法は誰もが手探りであり、何がゴールかも定かではない。
そこで本特集では、多様なアート・コレクティブの実践や
課題を集めケ一ススタディを試みた。
ここから、まだ見ぬ次代のアートを拓くためのヒントを見つけたい。
SPECIAL FEATURE
ART COLLECTIVE
アート・コレクティブが時代を拓く
PART1 日本のコレクティブの現在
なぜいまコレクティブなのか?
Ongoing Collective
コレクティブの活動から生まれる表現とは?
パープルーム/contact Gonzo/hyslom/新しい骨董
オル太/じゃぽにか/カタルシスの岸辺/ミルク倉庫+ココナッツ
REPORT
Chim↑Pom《道》プロジェクトin台湾
共犯関係から生まれる公共圏
自分たちのプラットフォームをどうつくるか?
コ本や honkbooks/Super Open Studio NETWORK/芸宿/アーギュメンツ/
国立奥多摩美術館/タネリスタジオ/Alternative Space Core/BARRAK
企業と協働する集団の戦略とは?
Rhizomatiks/チームラボ/WOW/THE EUGENE Studio
CROSS TALK
コレクティブはどこへ向かうのか?
宇川直宏×黒瀬陽平×SIDE CORE
コラム1:《作品の時代》とは何か? 原田裕規=文
コラム2:制作の共同体──状況論から原理の探究へ 上妻世海=文
SPECIAL ARTWORK
梅津庸一+パープルーム/SIDE CORE/オル太/じゃぽにか
PART2 世界のコレクティブレポート
インドネシア/マレーシア/タイ/カンボジア/ベトナム
香港/韓国/台湾/ロシア/ドイツ/アメリカ
コラム:「ともに集まること」が現実を生み出す
─東南アジアのコレクティブについての素描─ 江上賢一郎=文
Chronology of Art Collectives
戦後日本のアーティスト・コレクティブ史 筒井宏樹=文・構成
ESSAY
日本のコレクティビズム再考
─DIY精神のDNAを〈オペレーション〉に探る 富井玲子=文
…………………………
ARTIST INTERVIEW
ラファエル・ローゼンダール Rafaël Rozendaal
原田裕規=聞き手