Vendor Profile
SEIGENSHA Art Publishing
Address | 9-1 Umetadacho Kyotoshinakagyokukarasumahigashiiru Kyoto, JAPAN ZIP:604-8136 |
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Representative Name | MAKOTO KATAYAMA |
Annual Revenue | closed |
No. of Employees | 24 |
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Art & Design Book
SD item code:8261552
Detail | Price & Quantity | ||
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S1 |
Author: Seiji Namiki
Fumi Ueda
Mihoko Aoki
Original text before translation
著:並木誠士
上田文
青木美保子
(773)
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(773)
Wholesale Price: Members Only
1 pc /set
In Stock
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Dimensions |
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Paperback/288 pp.
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Specifications |
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Country of manufacture: Japan
Material / component: Paper
Product tag: None
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Description
The World of Machine Textile Dyeing in the Tetsuro Terada Collection Kimono and Yukata ...... About 240 Showa designs for Kimono, Yukata (Japanese bathrobe), interior design, etc. About 240 designs from the Showa period are included in the collection; With the import and development of machine textile printing machines, mass production became possible in the dyeing industry. Especially in Kyoto, new patterns from Japanese to pop designs were created and produced one after another from the 1950s to the 1970s. This book contains approximately 240 designs from the vast number of designs left by Tetsuro Terada, who was active as a patternmaker during the peak of this period. This book contains about 240 designs from the vast number of designs left by Tetsuro Terada, who was active as a design artist during the peak of this period. The book traces the transition of designs and the changing times. Collection of the Kyoto Institute of Technology Museum of Arts and Crafts ; Seiji Namiki Born in 1955; Born in 1955. After working as a curator at the Tokugawa Art Museum and as an assistant at Kyoto University, he is currently a professor at the Kyoto Institute of Technology* and director of its Museum of Art and Crafts. Specializes in Japanese art history and museum studies. His major publications include [Arts and Crafts of Modern Kyoto: Production * Distribution * Appreciation] (editor and author, Shibunkaku Shuppan, 2019). UEDA Aya Born in 1964; Born in 1964. Specialized in modern Japanese art. D. in Art, graduated from Kwansei Gakuin University in 1989. She is currently a part-time lecturer at Kwansei Gakuin University and Doshisha Women's University. Recent research includes [From Kyoto to Africa: A Report on the Textile Dyeing Industry in Kyoto in the 1960s as Seen in the Daido Malta Collection] (Kyoto Institute of Technology, Center for Cultural Heritage Education and Research, 2014). Mihoko Aoki Born in 1960. Graduated from Kyoto Women's University in 1983 and Kyoto Institute of Technology in 2007, where she received her Ph. She is currently a professor at Kyoto Women's University. Major publications include [Kyoto: Network of Modern Arts and Crafts] (co-edited with Namiki Seiji, Shibunkaku Shuppan, 2017). |
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Under the resale price maintenance system, publishers are legally allowed to specify the selling price of their books. We ask that your company also adhere to the sales price specified by us. In the unlikely event that you fail to do so, we will discontinue our business with you. We ask for your understanding in advance. |
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artOther items from this category:
Kimono and Yukata ...... About 240 Showa designs for Kimono, Yukata (Japanese bathrobe), interior design, etc.
About 240 designs from the Showa period are included in the collection;
With the import and development of machine textile printing machines, mass production became possible in the dyeing industry.
Especially in Kyoto, new patterns from Japanese to pop designs were created and produced one after another from the 1950s to the 1970s.
This book contains approximately 240 designs from the vast number of designs left by Tetsuro Terada, who was active as a patternmaker during the peak of this period.
This book contains about 240 designs from the vast number of designs left by Tetsuro Terada, who was active as a design artist during the peak of this period.
The book traces the transition of designs and the changing times.
Collection of the Kyoto Institute of Technology Museum of Arts and Crafts ;
Seiji Namiki Born in 1955;
Born in 1955. After working as a curator at the Tokugawa Art Museum and as an assistant at Kyoto University, he is currently a professor at the Kyoto Institute of Technology* and director of its Museum of Art and Crafts. Specializes in Japanese art history and museum studies.
His major publications include [Arts and Crafts of Modern Kyoto: Production * Distribution * Appreciation] (editor and author, Shibunkaku Shuppan, 2019).
UEDA Aya Born in 1964;
Born in 1964. Specialized in modern Japanese art. D. in Art, graduated from Kwansei Gakuin University in 1989. She is currently a part-time lecturer at Kwansei Gakuin University and Doshisha Women's University. Recent research includes [From Kyoto to Africa: A Report on the Textile Dyeing Industry in Kyoto in the 1960s as Seen in the Daido Malta Collection] (Kyoto Institute of Technology, Center for Cultural Heritage Education and Research, 2014).
Mihoko Aoki
Born in 1960. Graduated from Kyoto Women's University in 1983 and Kyoto Institute of Technology in 2007, where she received her Ph. She is currently a professor at Kyoto Women's University. Major publications include [Kyoto: Network of Modern Arts and Crafts] (co-edited with Namiki Seiji, Shibunkaku Shuppan, 2017).