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PIE International, Overseas
| Address | 2-32-4 Minami-Otsuka Toshima-ku Tokyo, JAPAN ZIP:170-0005 |
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| Representative Name | Hiromoto Miyoshi |
| Annual Revenue | closed |
| No. of Employees | closed |
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SD item code:9065249
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Size：210 × 148 mm
Pages：224 pp. (Full Color) Binding：Softbound Language：J/E Bilingual |
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Country of manufacture: Printed in Japan
Material / component: Paper
Year of manufacture: 2019
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Description
| 98 Breathtakingly stunning Japanese gardens you must visit in Kyoto. They are beautiful, thought-provoking. These unparalleled works of art at the creative frontier between man and nature date mainly from the Kamakura, Muromachi, and early Edo periods (approximately 1200 to 1650). These were eras of political and cultural ferment left us with many significant developments in the arts from the Noh theater to weaving and dyeing. Gardens, by incorporatingatingating and incorporating the art of Japanese cultural heritage, by incorporating and incorporating the art of Japanese cultural heritage. Gardens, by incorporating living elements into a man-made design that is then integrated with buildings and other structures, necessarily Gardens, by incorporating living elements into a man-made design that is then integrated with buildings and other structures, necessarily embody their builders' philosophies concerning the relationship between humanity and nature. Those can be, very broadly speaking, Those can be, very broadly speaking, divided into philosophies that view human beings as either dominant over or part of nature. Gardens in East Asia, and Japan in particular, tend to be of The age-old Japanese view of how human beings should relate to nature is realized on a grand scale in the gardens of Kyoto. This book introduces the soul of Kyoto, the Japanese garden, in an unbroken continuity from the Heian period until today. through the sub-categories of temple gardens, gardens of the Imperial Family and aristocratic households, and urban courtyard and other gardens, this book offers an insight into the compelling fascination of Kyoto. book offers an insight into the compelling fascination that the beauty and philosophical depth of these gardens inspire. |
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| Shipping Method | Estimated Arrival |
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| Sea Mail | From May.27th to Jul.30th |
| Air Mail | From May.9th to May.13th |
| EMS | From May.8th to May.13th |
| Pantos Express | From May.10th to May.15th |
| DHL | From May.8th to May.10th |
| UPS | From May.8th to May.10th |
| FedEx | From May.8th to May.10th |
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Only the jacket design is different from JAN9784756252173, and all other designs and contents are the same.
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They are beautiful, thought-provoking. These unparalleled works of art at the creative frontier between man and nature date mainly from the Kamakura, Muromachi, and early Edo periods (approximately 1200 to 1650). These were eras of political and cultural ferment left us with many significant developments in the arts from the Noh theater to weaving and dyeing. Gardens, by incorporatingatingating and incorporating the art of Japanese cultural heritage, by incorporating and incorporating the art of Japanese cultural heritage. Gardens, by incorporating living elements into a man-made design that is then integrated with buildings and other structures, necessarily Gardens, by incorporating living elements into a man-made design that is then integrated with buildings and other structures, necessarily embody their builders' philosophies concerning the relationship between humanity and nature. Those can be, very broadly speaking, Those can be, very broadly speaking, divided into philosophies that view human beings as either dominant over or part of nature. Gardens in East Asia, and Japan in particular, tend to be of The age-old Japanese view of how human beings should relate to nature is realized on a grand scale in the gardens of Kyoto.
This book introduces the soul of Kyoto, the Japanese garden, in an unbroken continuity from the Heian period until today. through the sub-categories of temple gardens, gardens of the Imperial Family and aristocratic households, and urban courtyard and other gardens, this book offers an insight into the compelling fascination of Kyoto. book offers an insight into the compelling fascination that the beauty and philosophical depth of these gardens inspire.
Kyoto’s gardens are among the city’s many glories. They are beautiful, thought-provoking. These unparalleled works of art at the creative frontier between man and nature date mainly from the Kamakura, Muromachi, and early Edo periods (approximately 1200 to 1650). These were eras of political and cultural ferment left us with many significant developments in the arts from the Noh theater to weaving and dyeing. The gardens of Kyoto featured in this book are a spectacular example of this peerless art form and collectively form a distinctive aspect of Japanese cultural heritage. Gardens, by incorporating living elements into a man-made design that is then integrated with buildings and other structures, necessarily embody their builders’ philosophies concerning the relationship between humanity and nature. Those can be, very broadly speaking, divided into philosophies that view human beings as either dominant over or part of nature. Gardens in East Asia, and Japan in particular, tend to be of natural landscapes. The age-old Japanese view of how human beings should relate to nature is realized on a grand scale in the gardens of Kyoto. This book introduces the soul of Kyoto, the Japanese garden, in an unbroken continuity from the Heian period until today. Addressing their variations through the sub-categories of temple gardens, gardens of the Imperial Family and aristocratic households, and urban courtyard and other gardens, this book offers an insight into the compelling fascination that the beauty and philosophical depth of these gardens inspire.