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BENRIDO Inc.
| Address | 302 Benzaiten cho Nakagyo-ku Kyoto, JAPAN ZIP:604-0093 |
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| Representative Name | Takumi Suzuki |
| Annual Revenue | closed |
| No. of Employees | closed |
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SD item code:9946800
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Timeless traditional techniques
 Original text before translation
時を超えた伝統の技
(2201099010576)
JAN:9784892731068
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(2201099010576)
JAN:9784892731068
Wholesale Price: Members Only
10 pcs /set
In Stock
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| Dimensions |
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Size
18 x 23 cm (B5 size) Specifications 51 pages, cover, bound in paper, 51 pages |
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Country of manufacture: Japan
Material / component: Made Of Paper
Year of manufacture: 2023
Product tag: None
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Description
| *Book [Timeless Traditional Techniques]* This book was published on the occasion of the exhibition "Memories of Beauty: Treasures Revived" held at the Takaoka Museum of Art. We hope that this booklet will provide an opportunity for people to think about the conservation of cultural properties and deepen their understanding of collotypes. Table of Contents Prologue Special Contribution: Memories of Beauty; Takashi Murakami, Director, Takaoka Museum of Art Chapter 1. The Reproduction of Cultural Properties by Collotype 1-1 History of Collotype 1-2 Why Collotype? 1-3 Reproductions combining various traditional techniques Chapter2 Revived Treasures: The Horyuji Kondo Wall Painting and Collotype 2-1 The Horyuji Kondo Mural 2-2 Major Repairs in the Showa Era (1926-1989) and Kondo Mural Full-Size Photography Project 2-3 From Full-Size Glass Panels to Full-Size Collotype Reproductions 2-4 [Showa Reproduction] Project and Damage to Mural Paintings 2-5 Postwar [Reproduction Mural] Projectbr] 2-6 Designation of [Glass Dry Plate of Horyuji Kondo Mural] as Important Cultural Property Chapter 3 Utilization of Collotype for Reproduction of Cultural Properties Reproduction Project for Exhibition*Study [Shosoin Documents Reproduction Project for Danger Dispersion [Reproductions in the Imperial Household Agency's Shosoin Department]. Reproduction project as a substitute for the body of the deceased National Treasure [Godaisonzo (Five Great Treasures) Reproduction project as a substitute for the National Treasure [festus] by Ito Jakuchu Reproduction of the original by reproductions Wind and Thunder Gods, by Ogata Korin / Summer and Autumn Plants, by Sakai Hoitsu Chapter 4: The Collotype of Tomorrow 1 Fusion of Analog and Digital: Efforts to Reproduce the Full-Color Collotype of the Horyuji Kondo Wall Paintings 2 The World of Craftsmanship in Modern Society: [Monozukuri] with Soul 3 Global Collotype: From Japan to the World 4 Convenido Collotype Research Institute 5 Collotype Workshop Collotype Printing Process Color separation and printing sequence of collotype Chronology - History of Reproduction of Cultural Properties by Collotype |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.23rd to Jul.26th |
| Air Mail | From May.7th to May.9th |
| EMS | From May.2nd to May.9th |
| Pantos Express | From May.8th to May.13th |
| DHL | From May.2nd to May.8th |
| UPS | From May.2nd to May.8th |
| FedEx | From May.2nd to May.8th |
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Some trading conditions may be applicable only in Japan. |
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This book was published on the occasion of the exhibition "Memories of Beauty: Treasures Revived" held at the Takaoka Museum of Art. We hope that this booklet will provide an opportunity for people to think about the conservation of cultural properties and deepen their understanding of collotypes.
Table of Contents
Prologue
Special Contribution: Memories of Beauty; Takashi Murakami, Director, Takaoka Museum of Art
Chapter 1. The Reproduction of Cultural Properties by Collotype
1-1 History of Collotype
1-2 Why Collotype?
1-3 Reproductions combining various traditional techniques
Chapter2 Revived Treasures: The Horyuji Kondo Wall Painting and Collotype
2-1 The Horyuji Kondo Mural
2-2 Major Repairs in the Showa Era (1926-1989) and Kondo Mural Full-Size Photography Project
2-3 From Full-Size Glass Panels to Full-Size Collotype Reproductions
2-4 [Showa Reproduction] Project and Damage to Mural Paintings
2-5 Postwar [Reproduction Mural] Projectbr]
2-6 Designation of [Glass Dry Plate of Horyuji Kondo Mural] as Important Cultural Property
Chapter 3 Utilization of Collotype for Reproduction of Cultural Properties
Reproduction Project for Exhibition*Study [Shosoin Documents
Reproduction Project for Danger Dispersion [Reproductions in the Imperial Household Agency's Shosoin Department].
Reproduction project as a substitute for the body of the deceased National Treasure [Godaisonzo (Five Great Treasures)
Reproduction project as a substitute for the National Treasure [festus] by Ito Jakuchu
Reproduction of the original by reproductions Wind and Thunder Gods, by Ogata Korin / Summer and Autumn Plants, by Sakai Hoitsu
Chapter 4: The Collotype of Tomorrow
1 Fusion of Analog and Digital: Efforts to Reproduce the Full-Color Collotype of the Horyuji Kondo Wall Paintings
2 The World of Craftsmanship in Modern Society: [Monozukuri] with Soul
3 Global Collotype: From Japan to the World
4 Convenido Collotype Research Institute
5 Collotype Workshop
Collotype Printing Process
Color separation and printing sequence of collotype
Chronology - History of Reproduction of Cultural Properties by Collotype
本書は、高岡市美術館にて開催された「美の記憶‐よみがえる至宝たち」展を機に刊行されました。この小冊子が、文化財保存について考えていただく機会になるとともに、コロタイプについて理解を深めていただくきっかけになれば幸いです。
目次
発刊によせて
特別寄稿 美の記憶 ; 高岡市美術館館長 村上 隆
第1章コロタイプによる文化財複製とは
1-1 コロタイプの歴史
1-2 なぜコロタイプなのか
1-3 さまざまな伝統技術を結集した複製
第2章よみがえる至宝−法隆寺金堂壁画とコロタイプ
2-1 法隆寺金堂壁画につい
2-2 昭和の大修理と金堂壁画原寸大撮影事業
2-3 原寸大ガラス乾板から原寸大コロタイプ複製へ
2-4 「昭和の模写」事業と壁画の罹災
2-5 戦後の「再現壁画」事業br> 2-6 「法隆寺金堂壁画ガラス乾板」の重要文化財指定
第3章コロタイプによる文化財複製への活用
展示・研究のための複製事業《正倉院文書
危険分散のための複製事業《宮内庁書陵部の複製》
ご分身（お身代わり）としての複製事業 国宝《五大尊像
複製としての里帰り事業 伊藤若冲筆《動植綵絵》
複製による元の姿の再現 尾形光琳筆《風神雷神図屏風》／酒井抱一筆《夏秋草図屏風》
第4章コロタイプの明日
1 アナログとデジタルの融合：法隆寺金堂壁画フルカラーコロタイプ複製への取り組み
2 現代社会における職人技の世界：魂を込めた「ものづくり」
3 グローバルなコロタイプ：日本から世界へ発信
4 便利堂コロタイプ研究所
5 コロタイプワークショップ
コロタイプ印刷工程
コロタイプの分色と刷り順序
略年譜−コロタイプによる文化財複製のあゆみ