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SEIGENSHA Art Publishing

Address 9-1 Umetadacho Kyotoshinakagyokukarasumahigashiiru Kyoto, JAPAN ZIP:604-8136
Representative Name MAKOTO KATAYAMA
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The exhibition explores the relationship between machines and humans in the 1920s through technology and art.

In the 1920s, Paris, the capital of France, and other cities in Europe and the U.S. were experiencing a glamorous and dynamic period known as the "Machine*Age," as reconstruction from World War I spurred industrialization.
This book introduces aspects of the relationship between machines and people in Europe, the U.S., and Japan, with a focus on Paris in the 1920s and 1930s.

  The year 1925, the year of the Paris International Exposition of Modern Industrial and Decorative Arts (Art*Deco Exposition), was a watershed in transformative values, and the geometric [Art*Deco] style, in harmony with industrial production, was at its zenith of fashion.  
In Japan, after the Great Kanto Earthquake of 1923, the world experienced prosperity and stagnation in the interwar period as Tokyo and other cities were rapidly rebuilt into [modern] cities, and people's values regarding machines and rationality were changing.
In this age of highly developed computers and the Internet, where AI (Artificial Intelligence) is drastically changing people's lives, this exhibition will question the various relationships between machines and humans that existed approximately 100 years ago.

SD item code:12058308

Detail Price & Quantity
S1
Edited by Pola Museum of Art
編著:ポーラ美術館
(942)
(942)

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Details
Item added on: 2024/2/1
Dimensions
B5 size*224 pages
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Country of manufacture: Japan
Material / component: Paper
Product tag: None

Description

The exhibition explores the relationship between machines and humans in the 1920s through technology and art.

In the 1920s, Paris, the capital of France, and other cities in Europe and the U.S. were experiencing a glamorous and dynamic period known as the "Machine*Age," as reconstruction from World War I spurred industrialization.
This book introduces aspects of the relationship between machines and people in Europe, the U.S., and Japan, with a focus on Paris in the 1920s and 1930s.

  The year 1925, the year of the Paris International Exposition of Modern Industrial and Decorative Arts (Art*Deco Exposition), was a watershed in transformative values, and the geometric [Art*Deco] style, in harmony with industrial production, was at its zenith of fashion.  
In Japan, after the Great Kanto Earthquake of 1923, the world experienced prosperity and stagnation in the interwar period as Tokyo and other cities were rapidly rebuilt into [modern] cities, and people's values regarding machines and rationality were changing.
In this age of highly developed computers and the Internet, where AI (Artificial Intelligence) is drastically changing people's lives, this exhibition will question the various relationships between machines and humans that existed approximately 100 years ago.

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SEIGENSHA Art Publishing Books Magazine Books Art/Design