Vendor Profile
Kutani nagomi Ino Seiho Co., Ltd.
| Address | i-61 Suenobumachi Nomi-city Ishikawa, JAPAN ZIP:923-1117 |
|---|---|
| Representative Name | MASAMITSU INO |
| Annual Revenue | closed |
| No. of Employees | 13 |
| Web Site URL |
People Also Searched
Other items from this category
Cup/Tumbler
SD item code:4474939
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
boxed in paper
 Original text before translation
紙箱入
(N706-07)
|
(N706-07)
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| Dimensions |
|---|
|
Capacity: 250 cc, Size: 8.0 cm (diameter) x 11.5 cm (height)
|
| Specifications |
|---|
|
Country of manufacture: Japan
Material / component: Pottery
Package: Individual box
Year of manufacture: 2019
Product tag: None
|
Description
| Kutani-yaki, a traditional craft recognized by the Minister of Economy, Trade and Industry, celebrates 360 years since the opening of the Kutani kiln. Kutani-yaki was exhibited at the Paris World Exposition and became famous throughout the world as Japan*Kutani, and has been collected by famous museums around the world, including the British Museum and the Louvre. [Kutani Wa Kiln*Meizan Kiln: Kutani Wa Kiln is a pottery company that creates handmade and hand-painted ceramics with a warm and welcoming atmosphere. I try to make products with natural shapes, colors, and functionality. Meizangama Kiln: A technique of applying gold leaf with a thickness of 5/10,000 mm and adding a cracked pattern to the gold leaf by shrinkage in the overglaze kiln. Temperature control is difficult, and depending on the season and room temperature, even a difference of 10 degrees Celsius may cause the gold leaf to crack, or the gold leaf may be absorbed into the base material and become thin. The second generation Kutani Meizan learned overglaze painting from his father, Meizan I. He began studying around 1965 to fuse Kanazawa, platinum, and silver leaf with Kutani Yaki and perfected the technique of split gold leaf, known as -Foil Meizan‖, in which gold leaf is split by the shrinkage of the paint in the kiln. He succeeded in simplifying the process of painting by strictly controlling the temperature of the overglaze painting (colors) and the gold in one kiln, whereas it is usually done in two different kilns at different temperatures. |
More
| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Jun.27th to Sep.2nd |
| Air Mail | From Jun.11th to Jun.13th |
| EMS | From Jun.10th to Jun.13th |
| Pantos Express | From Jun.12th to Jun.17th |
| DHL | From Jun.10th to Jun.12th |
| UPS | From Jun.10th to Jun.12th |
| FedEx | From Jun.10th to Jun.12th |
|
Some trading conditions may be applicable only in Japan.
Because they are handmade, sizes and capacities may vary.
We do our best to match the size and capacity of the box, but the box images are for illustrative purposes only. The box writing on the wooden box, cosmetic box, and outer paper of the paper box may differ. |
People Also Searched:
kutani wareOther items from this category:
[Kutani Wa Kiln*Meizan Kiln: Kutani Wa Kiln is a pottery company that creates handmade and hand-painted ceramics with a warm and welcoming atmosphere. I try to make products with natural shapes, colors, and functionality.
Meizangama Kiln: A technique of applying gold leaf with a thickness of 5/10,000 mm and adding a cracked pattern to the gold leaf by shrinkage in the overglaze kiln. Temperature control is difficult, and depending on the season and room temperature, even a difference of 10 degrees Celsius may cause the gold leaf to crack, or the gold leaf may be absorbed into the base material and become thin.
The second generation Kutani Meizan learned overglaze painting from his father, Meizan I. He began studying around 1965 to fuse Kanazawa, platinum, and silver leaf with Kutani Yaki and perfected the technique of split gold leaf, known as -Foil Meizan‖, in which gold leaf is split by the shrinkage of the paint in the kiln. He succeeded in simplifying the process of painting by strictly controlling the temperature of the overglaze painting (colors) and the gold in one kiln, whereas it is usually done in two different kilns at different temperatures.
古九谷開窯から360年を迎えた経済産業大臣認定伝統工芸・九谷焼。パリ万博に出品されジャパン・クタニとして世界に名を轟かせ、大英、ルーヴルなど世界各地の有名美術館に収蔵された色絵の妙技をご堪能下さい。
[窯元・作家]九谷和窯・明山窯 九谷和窯：温かみのあるものをと、すべて手づくり手描きにこだわっています。土ものが中心で自然な形、色合いと機能性を重視した商品作りに心がけています。
明山窯：10000分の5mmの金箔を貼り、上絵窯での収縮によって金箔に裂け目の模様を加える技法。温度調節が難しく、季節や室温によって10度の差でも中々割れなかったり、金箔が素地に吸い込まれて薄くなったりする。
二代目九谷明山は父初代明山から上絵付けを学びました。金沢箔、プラチナ箔、銀箔を九谷焼と融合させるために昭和40年頃から研鑽を勧め、-箔の明山-と呼ばれ、金箔を窯の中で絵の具の収縮によって割るという割金箔の技法を完成させました。通常、上絵(色)と金窯の異なる温度の窯を2回の窯で焼成するところ、1度の窯で焼成する微妙な温度管理を徹底し、絵付けを簡略することに成功しました。2015年6月死去、子息が三代目明山となりました。