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BIJUTSU SHUPPAN-SHA CO., LTD.
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Magazine
SD item code:5421827
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Bijyutsutecho
Original text before translation
美術手帖編集部
(831405)
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(831405)
Wholesale Price: Members Only
1 pc /set
In Stock
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Dimensions |
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20.8cm x 14.4cm x 1.6cm 200 pages
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Country of manufacture: Japan
Material / component: Paper
Product tag: None
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Description
Special Features Balthus Why did he have to paint a girl? A half-sleeping girl with her legs thrown out, a suggestive world where time seems to have stopped. Balthus is a 20th century artist who painted themes that stirred the viewer's imagination with his serene, traditional technique. This retrospective exhibition will be the first time in Japan in 20 years that the artist's solitary work can be viewed in its entirety. Why did Balthus call himself a "religious painter" and why did he continue to paint girls in transition from vulnerability to sexual awakening? This exhibition will explore the core of the creative process of a painter who was fascinated by girls throughout his life. |
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Balthus
Why did he have to paint a girl?
A half-sleeping girl with her legs thrown out, a suggestive world where time seems to have stopped.
Balthus is a 20th century artist who painted themes that stirred the viewer's imagination with his serene, traditional technique.
This retrospective exhibition will be the first time in Japan in 20 years that the artist's solitary work can be viewed in its entirety.
Why did Balthus call himself a "religious painter" and why did he continue to paint girls in transition from vulnerability to sexual awakening? This exhibition will explore the core of the creative process of a painter who was fascinated by girls throughout his life.
バルテュス
なぜ、少女を描かねばならなかったのか。
脚を投げ出す半睡の少女、時が止まったような暗示的な世界——。
見る者の想像力をかき立てるテーマを、 静謐な伝統技法によって描いた20世紀の画家、バルテュス。
その孤高の画業を総覧することのできる回顧展が、 日本では20年ぶりに開催される。
バルテュスが自らを「宗教画家」と呼び、無防備さと性の目ざめへの 移行期にある少女を描き続けたのはなぜか。 生涯を通して少女に魅せられた画家の、創作の核心に迫る。