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Movies Book
SD item code:8410358
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What is the [filmmaking] methodology practiced at the Japan Academy of Moving Images?
 Original text before translation
日本映画大学で実践されている「映像制作」の方法論とは
(1246)
JAN:978-4-7683-1246-9
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(1246)
JAN:978-4-7683-1246-9
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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B5 size, 240 pages
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2019
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Description
| What is the methodology of filmmaking practiced at the Japan Academy of Moving Images? How is filmmaking taught at the Japan Academy of Moving Images, which continues to produce a wide range of excellent human resources for the Japanese film and television production industry? Professor Yasuoka Takuji, a film producer in charge of the documentary course, explains the methodology. Professor Yasuoka Takuji (film producer, [A][A2] and many others), who is in charge of the documentary course, reveals the methodology! *This book is a reorganized version of a two-and-a-half-year series in the monthly video magazine Video Salon, with the addition of new material. [Main contents] *Planning... The first proposal - making the filmmaker aware of the seeds of the film / Research and interviews nurture the project / Searching for the form of the work / Making pictures of the urge [to shoot] - what lies behind the images and words / What to convey from the subject of the interview and how to convey it? *Filming... What is the practice of shooting with intention? / Embodying the camera / One-position 50-shot exercise / Work design is important to get a satisfactory picture *Interviews... Establishing a dialogue in an interview / Interview techniques and manners / Filming and editing an interview / Interview work Horizontal editing and vertical editing *Editing... Let's analyze the structure of a film by making a cut list / Film editor, Keiichi Uraoka / Material sequence, cut list, and coarse sequence / How to make the most of [showpiece] and [storytelling point]? / From [logline] to storytelling and presentation / Reassembling the whole without escaping with [narration *Works... Various Forms of Documentary / Various Documentaries - Kazuhiro Soda's [Observational Film] Joint University Project in Asia / Expanding International Human Resource Development Project / Makoto Sato / Shohei Imamura and Noriaki Tsuchimoto / Takahiro Nakamura [Yokohama Mary: Once there was an old prostitute in white makeup] / Mori Tatsuya and I [A] Experiences at the Site Feelings I experienced at the site of [A]. [Author]? Takuji Yasuoka |
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Other items from this category:
How is filmmaking taught at the Japan Academy of Moving Images, which continues to produce a wide range of excellent human resources for the Japanese film and television production industry? Professor Yasuoka Takuji, a film producer in charge of the documentary course, explains the methodology. Professor Yasuoka Takuji (film producer, [A][A2] and many others), who is in charge of the documentary course, reveals the methodology!
*This book is a reorganized version of a two-and-a-half-year series in the monthly video magazine Video Salon, with the addition of new material.
[Main contents]
*Planning... The first proposal - making the filmmaker aware of the seeds of the film / Research and interviews nurture the project / Searching for the form of the work / Making pictures of the urge [to shoot] - what lies behind the images and words / What to convey from the subject of the interview and how to convey it?
*Filming... What is the practice of shooting with intention? / Embodying the camera / One-position 50-shot exercise / Work design is important to get a satisfactory picture
*Interviews... Establishing a dialogue in an interview / Interview techniques and manners / Filming and editing an interview / Interview work Horizontal editing and vertical editing
*Editing... Let's analyze the structure of a film by making a cut list / Film editor, Keiichi Uraoka / Material sequence, cut list, and coarse sequence / How to make the most of [showpiece] and [storytelling point]? / From [logline] to storytelling and presentation / Reassembling the whole without escaping with [narration
*Works... Various Forms of Documentary / Various Documentaries - Kazuhiro Soda's [Observational Film] Joint University Project in Asia / Expanding International Human Resource Development Project / Makoto Sato / Shohei Imamura and Noriaki Tsuchimoto / Takahiro Nakamura [Yokohama Mary: Once there was an old prostitute in white makeup] / Mori Tatsuya and I [A] Experiences at the Site Feelings I experienced at the site of [A].
[Author]? Takuji Yasuoka
日本映画界やテレビ制作業界に優秀な人材を幅広く輩出し続けている日本映画大学では「映像制作」をどうやって教えているのか？ その方法論をドキュメンタリーコースを担当する安岡卓治教授（映画プロデューサー。『A』『A2』など多数）が解き明かしていく！
※本書は、月刊ビデオSALONにおける2年半にわたる連載に新規原稿を追加し、再構成したものです。
●企画…最初の企画書〜映画の種を自覚させること／取材調査が企画を育てる／作品の形を模索すること／「撮りたい」衝動を画にする〜映像とことばの奥にあるもの／取材対象から何をどう伝えるのか?
●撮影…意図を持って撮影するための実習とは?／キャメラを身体化する／ワンポジション50ショット演習／納得いく画を撮るには作業設計が大切
●インタビュー…インタビューで対話を成立させる／インタビューの技術と作法／インタビューの撮影と編集／インタビュー作品 横の編集と縦の編集
●編集…カット表を作って映画の構造を分析してみよう／映画編集者、浦岡敬一さんのこと／素材シークエンスとカット表と粗編シークエンス／「見せ場」と「聞かせどころ」をどう生かすのか?／「ログライン」からストーリーテリングそしてプレゼンへ／「ナレーション」で逃げずに全体を組み立て直すこと
●作品…ドキュメンタリーの様々なかたち／多様なドキュメンタリー〜想田和弘さんの「観察映画」 アジアの大学共同プロジェクト／広がる国際的な人材育成プロジェクト／佐藤真／今村昌平と土本典昭／中村高寛「ヨコハマメリー かつて白化粧の老娼婦がいた」／ 森達也と私『A』の現場で体験した感覚