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SD item code:9065227
| Detail | Price & Quantity | ||
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Aubrey Beardsley:The Fin-de-Si?cle Magician of Light and Darkness
 Original text before translation
Aubrey Beardsley:The Fin-de-Si?cle Magician of Light and Darkness
(5288)
JAN:9.78E+12
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(5288)
JAN:9.78E+12
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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Size：257 × 186 mm
Pages：240 pp. (Full Color) Binding：Flexibound Language：English |
| Specifications |
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Country of manufacture: Printed in Singapore
Material / component: Paper
Year of manufacture: 2020
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Description
| Aubrey Beardsley, a shooting star who vanished into fin de si?cle darkness. This 240-page book, Aubrey Beardsley: The Decadent Magician of the Light and the Darkness, reveals the core of the artist Aubrey Beardsley through more than 180 of his art works, compiled under the supervision of Hiroshi Unno, a critic and a writer who has contributed many books on his work. This 240-page book, Aubrey Beardsley: The Decadent Magician of the Light and the Darkness, reveals the core of the artist Aubrey Beardsley through more than 180 of his art works, compiled under the supervision of Hiroshi Unno, a critic and a writer who has contributed to many books on the fin-de-si?cle. Aubrey Beardsley was an illustrator who was best known for his drawings in black ink filled with erotic and decadent features, such as a woman with a fearless smile, a gentleman with a dismal smile, a woman with a beautiful smile, a man with a beautiful smile, etc. All of these express Aubrey's The rebellious nature and imagery of his illustrations were often controversial. People even called him "the Devil's younger brother". But there is no doubt that he was a star of the age, which is evident from the many influential illustrators who came after him who were influenced by Aubrey's work, such as Harry Clarke, Alastair, John Austin, Kay Nielsen and George Barbier. Unfortunately Aubrey's genius illuminated the end of the nineteenth century, the era of fin-de-si?cle decadence, only briefly before Unfortunately Aubrey's genius illuminated the end of the nineteenth century, the era of fin-de-si?cle decadence, only briefly before. How did the rebellious, yet refined, monochrome artworks drawn by "the Devil's younger brother" come about? This book is a gem that presents the artwork that is most identified with "Beardsley" himself, revealing both the artist and the artwork itself. himself, revealing both the artist and the idea, through his life and his masterpieces. |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Jun.28th to Sep.3rd |
| Air Mail | From Jun.12th to Jun.14th |
| EMS | From Jun.11th to Jun.14th |
| Pantos Express | From Jun.13th to Jun.18th |
| DHL | From Jun.11th to Jun.13th |
| UPS | From Jun.11th to Jun.13th |
| FedEx | From Jun.11th to Jun.13th |
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This 240-page book, Aubrey Beardsley: The Decadent Magician of the Light and the Darkness, reveals the core of the artist Aubrey Beardsley through more than 180 of his art works, compiled under the supervision of Hiroshi Unno, a critic and a writer who has contributed many books on his work. This 240-page book, Aubrey Beardsley: The Decadent Magician of the Light and the Darkness, reveals the core of the artist Aubrey Beardsley through more than 180 of his art works, compiled under the supervision of Hiroshi Unno, a critic and a writer who has contributed to many books on the fin-de-si?cle.
Aubrey Beardsley was an illustrator who was best known for his drawings in black ink filled with erotic and decadent features, such as a woman with a fearless smile, a gentleman with a dismal smile, a woman with a beautiful smile, a man with a beautiful smile, etc. All of these express Aubrey's The rebellious nature and imagery of his illustrations were often controversial. People even called him "the Devil's younger brother". But there is no doubt that he was a star of the age, which is evident from the many influential illustrators who came after him who were influenced by Aubrey's work, such as Harry Clarke, Alastair, John Austin, Kay Nielsen and George Barbier.
Unfortunately Aubrey's genius illuminated the end of the nineteenth century, the era of fin-de-si?cle decadence, only briefly before Unfortunately Aubrey's genius illuminated the end of the nineteenth century, the era of fin-de-si?cle decadence, only briefly before.
How did the rebellious, yet refined, monochrome artworks drawn by "the Devil's younger brother" come about? This book is a gem that presents the artwork that is most identified with "Beardsley" himself, revealing both the artist and the artwork itself. himself, revealing both the artist and the idea, through his life and his masterpieces.
This 240-page book, Aubrey Beardsley: The Decadent Magician of the Light and the Darkness, reveals the core of the artist Aubrey Beardsley through more than 180 of his art works, compiled under the supervision of Hiroshi Unno, a critic and a writer who has contributed to many books on the fin-de-si?cle. Aubrey Beardsley was an illustrator who was best known for his drawings in black ink filled with erotic and decadent features, such as a woman with a fearless smile, a gentleman with disdainful contempt, and figures with extremely exaggerated genitals. All of these express Aubrey’s incomparable talent for grasping the chaos and unsettled atmosphere of the period that he lived. The rebellious nature and imagery of his illustrations were often controversial. People even called him “the Devil’s younger brother”. But there is no doubt that he was a star of the age, which is evident from the many influential illustrators who came after him who were influenced by Aubrey’s work, such as Harry Clarke, Alastair, John Austin, Kay Nielsen and George Barbier. Unfortunately Aubrey’s genius illuminated the end of the nineteenth century, the era of fin-de-si?cle decadence, only briefly before fading away, when his tragically short life ended after just twenty five years. How did the rebellious, yet refined, monochrome artworks drawn by “the Devil’s younger brother” come about? Was his life simply the art itself? This book is a gem that presents the artwork that is most identified with “Beardsley” himself, revealing both the artist and the idea, through his life and his masterpieces.