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MATES universal contents Co.Ltd
| Address | Kojimachi ichihara Bldg.4F 1-1-8 Hirakawacho Chiyoda-ku Tokyo, JAPAN ZIP:102-0093 |
|---|---|
| Representative Name | Koji Oba |
| Annual Revenue | closed |
| No. of Employees | closed |
| Web Site URL |
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SD item code:9356474
| Detail | Price & Quantity | ||
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Japan Action Enterprises (Supervisor)
 Original text before translation
ジャパンアクションエンタープライズ (監修)
(42419)
JAN:9784780424195
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(42419)
JAN:9784780424195
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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Size: A5 (210mm x 148mm)
Number of pages: 128 Weight: 240g |
| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2020
Product tag: None
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Description
| * Learn from professional demonstrations! * Enhance the quality of your scenes! Realistic & dynamic expressions! *[different situations of techniques and weapons][different situations of techniques and weapons][different situations of techniques and weapons]. [Safety considerations] [Awareness of acting roles] and more in one book! * Comments from the supervisor * It has been more than 50 years since I started my career. I have been in this world for more than 50 years. I used to be a gymnast. I started out as a gymnast, and I like to move my body. I have been able to continue for such a long time because I have been a gymnast. I have been able to continue for such a long time because I have been able to continue for such a long time because action is fun. That is the only reason I have been able to continue for so long. A play is a fiction, so to speak. There should be no violence in the real world. But it is the attraction of action that makes the realism in the fiction interesting. The charm of action is that it can be interesting. This book introduces the basic idea of action and how to show it. and how to show them. If you learn the basics in this book, you will be able to you will feel the exhilaration of action. We hope you will enjoy the action in your own way. Enjoy the action in your own way. Japan Action Enterprises, Inc. Representative Osamu Kaneda * Main Contents * *PART 1 The Idea of Action [What is Gitto?] Gidou is a general term for acting combat. [Action is acting.] Action is different from martial arts and combat sports. [Become [the role]. It is important to make the audience feel as if you are really fighting! [The importance of the action of the role of the beaten man.] If the action is not good enough, it has to do with the performance of the assailant. [Effective Action Methods] Captivate the audience with dynamic actions. *etc. *PART 2 Sword action in historical dramas [Role and Action] Think about the posture according to the role and scene. [Counter Sword Action] Reproduce the counter sword by matching each other's breathing [A sword attack that anticipates the opponent's attack]. It is important to act as if you saw through the first attack. [Reproduce a quick thrust attack]. Dodging just in time from a big swing is realistic. [Cutting each other while reversing with a slip]. Show the footwork and swordsmanship of a master. *etc. *PART 3 Action of manual combat [Acting appropriate to the role]. How to stand and hold yourself depends on what kind of role you want to play. [Elementary action *slap]. Let's get the basics down with a simple action [slap]. [Straight punch] The angle at which the punch appears to hit and the facial movement of the victim [Position without showing the point of the blow]. Pay attention to the angle at which the punch appears to hit and the position of the fist. [Action of martial art technique [Hand Sword]. Decide on a strong striking martial arts technique, the handsword, that will stun the opponent. *etc. *PART 4 Correspondence between the weapon and the performance [Stance of a handgun or knife] How to hold handguns and other weapons depends on the situation and other factors. [Basics of knife action] Basics to avoid injury even with a replica knife [Three types of attacks and how to show them] The relationship between the direction of the attacker's body and how to use a knife. [Action to grab the knife] Grab the attacker's wrist and twist it to take away the knife. [Disabling the attacker with a knife] Grab the wrist with the knife and hold it down by jointing it. *etc. |
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| Shipping Method | Estimated Arrival |
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| Sea Mail | From Jul.1st to Sep.4th |
| Air Mail | From Jun.13th to Jun.17th |
| EMS | From Jun.12th to Jun.17th |
| Pantos Express | From Jun.14th to Jun.19th |
| DHL | From Jun.12th to Jun.14th |
| UPS | From Jun.12th to Jun.14th |
| FedEx | From Jun.12th to Jun.14th |
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*Important Notice
Under the resale price maintenance system, publishers are legally allowed to specify the selling price of their books. We ask that your company also adhere to the sales price specified by us. If you fail to do so, we will discontinue our business with you. |
Other items from this category:
* Enhance the quality of your scenes!
Realistic & dynamic expressions!
*[different situations of techniques and weapons][different situations of techniques and weapons][different situations of techniques and weapons].
[Safety considerations] [Awareness of acting roles]
and more in one book!
* Comments from the supervisor *
It has been more than 50 years since I started my career.
I have been in this world for more than 50 years.
I used to be a gymnast.
I started out as a gymnast, and I like to move my body.
I have been able to continue for such a long time because I have been a gymnast.
I have been able to continue for such a long time because
I have been able to continue for such a long time because action is fun.
That is the only reason I have been able to continue for so long.
A play is a fiction, so to speak.
There should be no violence in the real world.
But it is the attraction of action that makes the realism in the fiction interesting.
The charm of action is that it can be interesting.
This book introduces the basic idea of action and how to show it.
and how to show them.
If you learn the basics in this book, you will be able to
you will feel the exhilaration of action.
We hope you will enjoy the action in your own way.
Enjoy the action in your own way.
Japan Action Enterprises, Inc.
Representative Osamu Kaneda
* Main Contents *
*PART 1 The Idea of Action
[What is Gitto?]
Gidou is a general term for acting combat.
[Action is acting.]
Action is different from martial arts and combat sports.
[Become [the role].
It is important to make the audience feel as if you are really fighting!
[The importance of the action of the role of the beaten man.]
If the action is not good enough, it has to do with the performance of the assailant.
[Effective Action Methods]
Captivate the audience with dynamic actions.
*etc.
*PART 2 Sword action in historical dramas
[Role and Action]
Think about the posture according to the role and scene.
[Counter Sword Action]
Reproduce the counter sword by matching each other's breathing
[A sword attack that anticipates the opponent's attack].
It is important to act as if you saw through the first attack.
[Reproduce a quick thrust attack].
Dodging just in time from a big swing is realistic.
[Cutting each other while reversing with a slip].
Show the footwork and swordsmanship of a master.
*etc.
*PART 3 Action of manual combat
[Acting appropriate to the role].
How to stand and hold yourself depends on what kind of role you want to play.
[Elementary action *slap].
Let's get the basics down with a simple action [slap].
[Straight punch]
The angle at which the punch appears to hit and the facial movement of the victim
[Position without showing the point of the blow].
Pay attention to the angle at which the punch appears to hit and the position of the fist.
[Action of martial art technique [Hand Sword].
Decide on a strong striking martial arts technique, the handsword, that will stun the opponent.
*etc.
*PART 4 Correspondence between the weapon and the performance
[Stance of a handgun or knife]
How to hold handguns and other weapons depends on the situation and other factors.
[Basics of knife action]
Basics to avoid injury even with a replica knife
[Three types of attacks and how to show them]
The relationship between the direction of the attacker's body and how to use a knife.
[Action to grab the knife]
Grab the attacker's wrist and twist it to take away the knife.
[Disabling the attacker with a knife]
Grab the wrist with the knife and hold it down by jointing it.
*etc.
★ シーンのクオリティを高める
リアル&ダイナミックな表現!
★「技や武器のシチュエーション別」
「安全面の配慮」「役を演じる意識」
など、 豊富な成長のポイントを 1冊に!
◆◇◆ 監修者からのコメント ◆◇◆
僕がこの世界に入って、
早いもので50年以上が経ちました。
元々体操をやっていて、
身体を動かすのが好きだから、
という単純な理由で門を叩きましたが、
これだけ長い間続けてこられたのは、
やっぱりアクションはおもしろいから。
その一言に尽きます。
お芝居は、いわば「フィクション」です。
現実世界での暴力行為はあってはいけません。
でも、それが「フィクション」の中のリアル性を
おもしろくできるのがアクションの魅力です。
本書では、アクションの基本的な考え方や
見せ方を紹介しています。
本書で基礎を身につければ、
アクションの爽快感が得られます。
みなさんなりの演技で、
ぜひアクションを楽しんでください。
ジャパンアクションエンタープライズ
代表 金田 治
◆◇◆ 主な目次 ◆◇◆
☆PART 1 アクションの考え
【殺陣・技斗はどんなものか】
技斗とは、演技格闘の総称時代劇の刀アクションが殺陣だ
【アクションとは演技】
アクションは武術とも格闘技とも違う
【その「役」になり切る】
本当に闘っているように観る者に見せることが大事!
【やられ役のアクションの重要性】
アクションが物足りないときはやられ役の演技も関係する
【効果的なアクション方法】
ダイナミックなアクションで魅せる
・・・など
☆PART 2 時代劇の剣アクション
【役柄とアクション】
役柄や場面に応じた構えを考える
【カウンターの一太刀】
お互いの呼吸を合わせてカウンターの一太刀を再現
【相手の攻撃を見切った一太刀】
いかにも最初の攻撃を見切ったという演技が重要
【素早い突き攻撃を再現】
大きな振りかぶりからのぎりぎりのかわしでリアルに
【すり足で反転しながら切り合い】
達人のような足さばきと刀さばきを見せよう
・・・など
☆PART 3 徒手格闘のアクション
【役柄に見合った演技】
どんな役柄を演じるかで立ち方や構え方が変わる
【初級アクション・平手打ち】
簡単なアクション「平手打ち」で基本を押さえておこう
【ストレートパンチ】
パンチが当たって見える角度とやられ役の顔の動き
【打撃ポイントを見せない位置】
当たっているように見える角度と拳の位置に注意する
【武術の技「手刀」のアクション】
気絶させるような強い打撃武術の技である手刀を決める
・・・など
☆PART 4 武器と演技の対応
【拳銃やナイフの構え】
拳銃など武器の持ち方は状況などによって演じ分ける
【ナイフアクションの基本】
レプリカのナイフでもケガをしないための基本
【3種類の攻撃方法と見せ方】
やられ役の身体の向きとナイフの使い方の関係
【ナイフを奪うアクション】
攻撃してきた手首をつかみひねってナイフを奪う
【ナイフを持った相手を無力化】
ナイフを持った手首をつかんで関節を決めて抑え込む
・・・など