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BENRIDO Inc.
Address | 302 Benzaiten cho Nakagyo-ku Kyoto, JAPAN ZIP:604-0093 |
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Representative Name | Takumi Suzuki |
Annual Revenue | closed |
No. of Employees | closed |
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File Plastic Sleeve File Clear Book
SD item code:10005445
Detail | Price & Quantity | ||
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S1 |
A4CF Tiger drawing
Original text before translation
A4CF 虎図
(2412004012343)
JAN:4580640616176
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(2412004012343)
JAN:4580640616176
Wholesale Price: Members Only
10 pcs /set
In Stock
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Dimensions |
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Size
31.0 x 22.0 cm |
Specifications |
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Country of manufacture: Japan
Material / component: Specifications
0.2PP Printing method Offset Product tag: None
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Description
*A4 clear file [heavy artwork, tiger] by Nagasawa Risetsu*. Nagasawa Risetsu, Edo period, dated 1786 (Lent by Muryōji, Tokyo) [By Nagasawa Rōsetsu Born in Kyoto between 1754 and 1799. Studied painting under Maruyama Okyo and distinguished himself early on with his unique style. He learned from Okyo's precise and compositional sketches, and left behind a wide variety of works with an uninhibited, bold style and eccentric ideas. His representative fences are "Yamamba" and "Flower, Bird, and Fish. |
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Shipping Method | Estimated Arrival |
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Sea Mail | From Jul.4th to Sep.5th |
Air Mail | From Jun.18th to Jun.20th |
EMS | From Jun.17th to Jun.20th |
Pantos Express | From Jun.19th to Jun.24th |
DHL | From Jun.17th to Jun.19th |
UPS | From Jun.17th to Jun.19th |
FedEx | From Jun.17th to Jun.19th |
Some trading conditions may be applicable only in Japan. |
Other items from this category:
Nagasawa Risetsu, Edo period, dated 1786 (Lent by Muryōji, Tokyo)
[By Nagasawa Rōsetsu
Born in Kyoto between 1754 and 1799. Studied painting under Maruyama Okyo and distinguished himself early on with his unique style. He learned from Okyo's precise and compositional sketches, and left behind a wide variety of works with an uninhibited, bold style and eccentric ideas. His representative fences are "Yamamba" and "Flower, Bird, and Fish.
長沢芦雪 江戸時代・天明6年(1786) 無量寺蔵
<長沢芦雪(ながさわ ろせつ)>
宝暦4〜寛政11年(1754〜1799)、京都生まれ。円山応挙に絵を学び早くから個性的表現で頭角を現す。師にかわって和歌山の諸寺での事業を行ったのが大きな転機となり、応挙の精緻で構成的な写生に学びながら、奔放で大胆な作風、奇抜な構想をもって多彩な作品を残した。代表柵は『山姥図』『花鳥游魚図巻』。