Vendor Profile
BENRIDO Inc.
| Address | 302 Benzaiten cho Nakagyo-ku Kyoto, JAPAN ZIP:604-0093 |
|---|---|
| Representative Name | Takumi Suzuki |
| Annual Revenue | closed |
| No. of Employees | closed |
| Web Site URL | |
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Letter set Set
SD item code:10018719
| Detail | Price & Quantity | ||
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| S1 |
Letter set, underpainting of cranes, waka scroll
 Original text before translation
レターセット 鶴図下絵和歌巻
(2412002010471)
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(2412002010471)
Wholesale Price: Members Only
10 pcs /set
In Stock
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| Dimensions |
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Size
Letterhead: 25.5 x 17.0 cm Envelope: 20.0 x 9.0 cm |
| Specifications |
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Country of manufacture: Japan
Material / component: Specifications
Paper Letterhead: 15 sheets, Envelope: 5 sheets Packaged in OPP bag Printing method Offset printing Package: OPP bag
Product tag: None
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Description
| *Letter set [heavy artifact, underpainting of cranes, waka poem scroll]* By Honami Koetsu, calligraphy by Tawaraya Sotatsu, Momoyama period, Kyoto National Museum collection Calligraphy: Honami Koetsu Born in Kyoto between 1558 and 1637. In addition to his family's swordsmanship, he produced great works in a wide variety of fields. In particular, he is known as one of the "Three Writings of Kan'ei" in the field of Noh calligraphy. In his later years, he established an art village called Koetsu-mura in Takagamine, where he produced various works of art. His representative works are [a waka scroll with underpainting of cranes (a joint work with Tawaraya Sotatsu)] and [an inkstone box with maki-e lacquer on the bridge of a ship]. Painting: Sotatsu Tawaraya Date of birth and death unknown. Painter active from Momoyama to the early Edo period, who presided over the painting studio Eya [Tawaraya] in Kyoto. While rooted in the tradition of Yamato-e, his works are characterized by innovative forms, bold compositions, and vivid colors that are not bound by the formality of established schools. The decorative painting style originated by Sotatsu was developed into the Rimpa school by Ogata Korin. His representative works are [National Treasure: The Wind and Thunder Gods], [National Treasure: Lotus Pond with Water Fowl], and [National Treasure: Sekiya Mioji]. |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.31st to Aug.5th |
| Air Mail | From May.15th to May.17th |
| EMS | From May.14th to May.17th |
| Pantos Express | From May.16th to May.21st |
| DHL | From May.14th to May.16th |
| UPS | From May.14th to May.16th |
| FedEx | From May.14th to May.16th |
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Some trading conditions may be applicable only in Japan. |
Other items from this category:
By Honami Koetsu, calligraphy by Tawaraya Sotatsu, Momoyama period, Kyoto National Museum collection
Calligraphy: Honami Koetsu
Born in Kyoto between 1558 and 1637. In addition to his family's swordsmanship, he produced great works in a wide variety of fields. In particular, he is known as one of the "Three Writings of Kan'ei" in the field of Noh calligraphy. In his later years, he established an art village called Koetsu-mura in Takagamine, where he produced various works of art. His representative works are [a waka scroll with underpainting of cranes (a joint work with Tawaraya Sotatsu)] and [an inkstone box with maki-e lacquer on the bridge of a ship].
Painting: Sotatsu Tawaraya
Date of birth and death unknown. Painter active from Momoyama to the early Edo period, who presided over the painting studio Eya [Tawaraya] in Kyoto. While rooted in the tradition of Yamato-e, his works are characterized by innovative forms, bold compositions, and vivid colors that are not bound by the formality of established schools. The decorative painting style originated by Sotatsu was developed into the Rimpa school by Ogata Korin. His representative works are [National Treasure: The Wind and Thunder Gods], [National Treasure: Lotus Pond with Water Fowl], and [National Treasure: Sekiya Mioji].
書：本阿弥光悦筆 画：俵屋宗達筆 桃山時代 京都国立博物館蔵
書：本阿弥光悦（ほんあみ こうえつ）
永禄元〜寛永14年（1558〜1637）、京都生まれ。家業の刀剣の三事のほかにも多岐にわたる分野で偉大な作品をつくりあげた。特に能書では「寛永の三筆」と称される。晩年には鷹ヶ峯に光悦村といわれる芸術村を開き、様々な芸術作品を制作した。代表作は『重文 鶴図下絵和歌巻（俵屋宗達との合作）』『船橋蒔絵硯箱』。
画：俵屋宗達（たわらや そうたつ）
生没年不詳。桃山から江戸初期にかけ活躍した絵師で、京都の作画工房の絵屋「俵屋」の主宰者。大和絵の伝統に根ざしながらも、既成流派の形式にとらわれない斬新な造形、大胆な構図と鮮麗な色彩を特徴とする。宗達が創始したこの装飾画の流れは、尾形光琳により「琳派」として展開していった。代表作は『国宝 風神雷神図屏風』『国宝 蓮池水禽図』『国宝 関屋澪標図』。