Vendor Profile
BENRIDO Inc.
| Address | 302 Benzaiten cho Nakagyo-ku Kyoto, JAPAN ZIP:604-0093 |
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| Representative Name | Takumi Suzuki |
| Annual Revenue | closed |
| No. of Employees | closed |
| Web Site URL | |
| SNS |
SD item code:10024553
| Detail | Price & Quantity | ||
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| S1 |
Set of 19 postcards, Horyuji Kondo Mural [revised edition].
 Original text before translation
絵葉書セット 法隆寺金堂壁画［改訂版］19枚
(2400900111222)
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(2400900111222)
Wholesale Price: Members Only
5 pcs /set
In Stock
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| Dimensions |
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Size
Postcard body: 15.0 x 10.5 cm |
| Specifications |
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Country of manufacture: Japan
Material / component: Specifications
Set of 19 discs with commentary, in a cosmetic box Printing Method Offset Package: four-way binding
Product tag: None
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Description
| *Picture Postcard Set [Mural on the Golden Hall of Horyuji Temple] (set of 19)* Hakuho period, Horyuji collection Horyuji Kondo Mural - A Treasure of the Hakuho Period Revived on Dry Plate Photographs Taken before the Burnout The Kondo mural paintings, which have been preserved at Horyuji Temple in Ikaruga, Nara for more than 1,000 years, were masterpieces of Asian Buddhist art, but unfortunately were destroyed by fire in 1949. These 19 postcards are reproduced from photographs of the mural paintings taken before the fire. In 1934, the Ministry of Education commissioned Convenience Hall to photograph and burn a full-size section of the building as part of the "Horyuji Showa no Dairi" (The Great Repair of Horyuji Temple) project. Photography began on August 1, 1935, and took 75 days to complete, taking a total of 446 segmented and partial infrared photographs. At the same time, Convenido also dared to take color photographs (since color film was not available at the time, monochrome dry plates were used for color separation by filter operation) based on its own judgment. In addition, because of the risk of discoloration when the prints were burnt, the company also commissioned a full-size reproduction of the collotype version. As a result, this is a valuable record of the wall paintings before they were destroyed by fire. |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.30th to Aug.2nd |
| Air Mail | From May.14th to May.16th |
| EMS | From May.13th to May.16th |
| Pantos Express | From May.15th to May.20th |
| DHL | From May.13th to May.15th |
| UPS | From May.13th to May.15th |
| FedEx | From May.13th to May.15th |
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Some trading conditions may be applicable only in Japan. |
People Also Searched:
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Hakuho period, Horyuji collection
Horyuji Kondo Mural - A Treasure of the Hakuho Period Revived on Dry Plate Photographs Taken before the Burnout
The Kondo mural paintings, which have been preserved at Horyuji Temple in Ikaruga, Nara for more than 1,000 years, were masterpieces of Asian Buddhist art, but unfortunately were destroyed by fire in 1949. These 19 postcards are reproduced from photographs of the mural paintings taken before the fire.
In 1934, the Ministry of Education commissioned Convenience Hall to photograph and burn a full-size section of the building as part of the "Horyuji Showa no Dairi" (The Great Repair of Horyuji Temple) project. Photography began on August 1, 1935, and took 75 days to complete, taking a total of 446 segmented and partial infrared photographs. At the same time, Convenido also dared to take color photographs (since color film was not available at the time, monochrome dry plates were used for color separation by filter operation) based on its own judgment. In addition, because of the risk of discoloration when the prints were burnt, the company also commissioned a full-size reproduction of the collotype version. As a result, this is a valuable record of the wall paintings before they were destroyed by fire.
白鳳時代 法隆寺蔵
法隆寺金堂壁画—焼損前撮影乾板で甦る白鳳の至宝
奈良斑鳩の法隆寺に千数百年にわたり伝えられてきた金堂壁画は、アジア仏教美術の至宝というべき傑作でしたが、昭和24年（1949）、不慮の火災により残念ながら焼損してしまいました。この19葉の絵はがきは、焼損前に撮影された壁画写真により再現したものです。
昭和9年（1934）、便利堂は「法隆寺昭和の大修理」の一環として文部省より現状記録用に原寸大分割撮影と焼付を委嘱されていました。撮影は、翌昭和10年（1935）8月1日より75日間を要し、総枚数446枚もの分割写真並びに赤外線部分写真を撮り終えました。同時に、便利堂独自の判断によりカラー撮影（当時はカラーフィルムが無かったため、モノクロ乾板をフィルター操作で色分けする4色分解撮影）も敢行されました。また、焼付は変色の恐れがあるとして、さらにコロタイプ版原寸大複製制作の依頼も請けます。これらが結果として、焼損前の壁画を今に伝える貴重な記録となったのです。