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MATES universal contents Co.Ltd
| Address | Kojimachi ichihara Bldg.4F 1-1-8 Hirakawacho Chiyoda-ku Tokyo, JAPAN ZIP:102-0093 |
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SD item code:10785619
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
Shorei Yamamoto (Supervisor)
 Original text before translation
山本 翔麗 (監修)
(42671)
JAN:9784780426717
|
(42671)
JAN:9784780426717
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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Size: B5 (257mm x 182mm)
Number of pages: 128 Weight: 361g |
| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2022
Product tag: None
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Description
| * A must-have book for those who want to know and master [calligraphy] in depth! * QR code for easy access to how to write a calligraphy sample. * Video demonstrations of strokes and strokes for use. * Understand the characteristics of standard, running, and cursive scripts, and grasp the key points of expression. * Detailed explanations based on famous brush strokes by Wang Yizhi, Ouyang Xun, Yu Shihnan, Yan Zhenqing...etc. Detailed explanations based on famous brush strokes. * Comments from the supervisor * What is the meaning of "Rinsho" in calligraphy? In publishing this book, I thought about it again. I thought about it again. Following the classics is the starting point of calligraphy. It is not just a method to learn how to write well. It is not just a method to learn how to write well, but a solid foundation to expand the range of your calligraphy. It is a solid foundation that will broaden the range of your calligraphy. I teach calligraphy to my students in the classroom. I teach calligraphy to my students in the classroom. I teach my students calligraphy in the classroom, and even though we study the same classics I teach my students in class, and even though we study the same classics, no two are the same. Even if you study the same classics, no two are the same. Even if they are not consciously aware of it. I believe that this difference is the first step toward individuality. Facing the classics I believe that establishing one's own style I think it is the first step of individuality. That is a long way off. I still have a long way to go. I learned about Kukai in order to study Rinsho. I became interested in temples and shrines, and reading books, traveling, and so on. I know many people who have been able to enjoy reading books, traveling, etc. By approaching the classics and enrich your mind. Calligraphy is also a great way to enjoy the classics. The classics have many charms, such as the characters, the style of writing, and the backgrounds in which they were written. and the background in which they were written. I hope that you will enjoy this book as much as I did. I would be happy if you feel so even a little. Shorei Yamamoto * Main Contents * * Chapter 1: Basic knowledge of Rinsho * What is Rinsho? * The roots of Rinsho * The development of calligraphy in China * The development of calligraphy in Japan * Methods of Rinsho * Form Rin * Intention Rin * Back Rin * etc. *Chapter 2: Let's look at the classics * How to select classics * Development of calligraphic styles ≪look at the classics * read the classics in standard script * The Nine Seonggung Stele of Liquefied Spring Ming * Confucius Temple Stele ≪The Confucius Mausoleum Stele * "Manuscripts of ritual nieces and nephews" * "Feng Xin Chao * "The Fuxin Book ≪See classics in cursive * "Seventeen books of Chinese classics in cursive" * "The Seventeen Books of Confucius * "Calligraphy" * "Calligraphy" * "Calligraphy" * "Calligraphy * etc. *Chapter 3: Let's actually write ≪Let's try to write in the standard style. * "The name of Ku-Seong Palace of Liquefied Spring Spring Wine * The Nine Seigong Liquei Stele. * Confucius Temple Stele "Xuanmai * Confucius Temple Stele "Jinggong ≪Let's write a few lines. * Lanting Preface Lanting * Preface to Lanting Lanting * Lanting's Preface Lea Ting * Lanting's Preface Lea Ting * Lanting's Preface * "Manuscript of Ritual Niece * etc. |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.31st to Aug.5th |
| Air Mail | From May.15th to May.17th |
| EMS | From May.14th to May.17th |
| Pantos Express | From May.16th to May.21st |
| DHL | From May.14th to May.16th |
| UPS | From May.14th to May.16th |
| FedEx | From May.14th to May.16th |
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Under the resale price maintenance system, publishers are legally allowed to specify the selling price of their books. We ask that your company also adhere to the sales price specified by us. If you fail to do so, we will discontinue our business with you. |
Other items from this category:
* QR code for easy access to how to write a calligraphy sample.
* Video demonstrations of strokes and strokes for use.
* Understand the characteristics of standard, running, and cursive scripts, and grasp the key points of expression.
* Detailed explanations based on famous brush strokes by Wang Yizhi, Ouyang Xun, Yu Shihnan, Yan Zhenqing...etc. Detailed explanations based on famous brush strokes.
* Comments from the supervisor *
What is the meaning of "Rinsho" in calligraphy?
In publishing this book, I thought about it again.
I thought about it again.
Following the classics is the starting point of calligraphy.
It is not just a method to learn how to write well.
It is not just a method to learn how to write well, but a solid foundation to expand the range of your calligraphy.
It is a solid foundation that will broaden the range of your calligraphy.
I teach calligraphy to my students in the classroom.
I teach calligraphy to my students in the classroom.
I teach my students calligraphy in the classroom, and even though we study the same classics
I teach my students in class, and even though we study the same classics, no two are the same.
Even if you study the same classics, no two are the same.
Even if they are not consciously aware of it.
I believe that this difference is the first step toward individuality.
Facing the classics
I believe that establishing one's own style
I think it is the first step of individuality.
That is a long way off.
I still have a long way to go.
I learned about Kukai in order to study Rinsho.
I became interested in temples and shrines, and
reading books, traveling, and so on.
I know many people who have been able to enjoy reading books, traveling, etc.
By approaching the classics
and enrich your mind.
Calligraphy is also a great way to enjoy the classics.
The classics have many charms, such as the characters, the style of writing, and the backgrounds in which they were written.
and the background in which they were written.
I hope that you will enjoy this book as much as I did.
I would be happy if you feel so even a little.
Shorei Yamamoto
* Main Contents *
* Chapter 1: Basic knowledge of Rinsho
* What is Rinsho?
* The roots of Rinsho
* The development of calligraphy in China
* The development of calligraphy in Japan
* Methods of Rinsho * Form Rin * Intention Rin * Back Rin
* etc.
*Chapter 2: Let's look at the classics
* How to select classics
* Development of calligraphic styles
≪look at the classics * read the classics in standard script
* The Nine Seonggung Stele of Liquefied Spring Ming
* Confucius Temple Stele
≪The Confucius Mausoleum Stele
* "Manuscripts of ritual nieces and nephews" * "Feng Xin Chao
* "The Fuxin Book
≪See classics in cursive
* "Seventeen books of Chinese classics in cursive" * "The Seventeen Books of Confucius
* "Calligraphy" * "Calligraphy" * "Calligraphy" * "Calligraphy
* etc.
*Chapter 3: Let's actually write
≪Let's try to write in the standard style.
* "The name of Ku-Seong Palace of Liquefied Spring Spring Wine
* The Nine Seigong Liquei Stele.
* Confucius Temple Stele "Xuanmai
* Confucius Temple Stele "Jinggong
≪Let's write a few lines.
* Lanting Preface Lanting
* Preface to Lanting
Lanting * Lanting's Preface Lea Ting * Lanting's Preface Lea Ting * Lanting's Preface
* "Manuscript of Ritual Niece
* etc.
★ お手本の書き方がQRコードで簡単に見られます。
★ 運筆＆用筆が実演動画でよくわかる
★ 楷書、行書、草書のそれぞれの特徴を理解し、表現のポイントを捉える。
★ 王義之、欧陽詢、虞世南、顔真卿…etc．名筆を基に詳細解説。
◆◇◆ 監修者からのコメント ◆◇◆
書道における臨書とはなんだろう。
今回、本の出版にあたって
改めて考えてみました。
古典に倣うことは書道の原点、
ただ字をうまく書けるようになる手法ではなく、
自分の書の幅をぐんと広げてくれる
確かな礎となるものです。
私は教室で生徒さんたちに
臨書の指導をしていますが、
同じ古典で学んでも、
ひとつも同じものはありません。
その人の持つ癖や特色が
意識していなくても出てくる、
その違いが個性の第一歩ではないかと思います。
古典と向き合って、
自分なりのスタイルを確立していくのが
本来の姿だと思います。
そこはとても遠く、
私もまだまだ道半ばです。
臨書を学ぶために空海を知り、
興味が広がって寺社仏閣が好きになり、
本を読んだり旅したりと
楽しみが広がっている人もたくさんいます。
古典にアプローチすることで
知識が増えたり気持ちが豊かになったり。
書道はそういう楽しみ方ができるのもいいところです。
古典には、字や書体、書かれた背景など、
魅力がたくさんあります。
本書を手に取られた方が、
少しでもそう感じてくださったら幸いです。
山本 翔麗
◆◇◆ 主な目次 ◆◇◆
☆第1章 臨書の基礎知識
＊ 臨書とは
＊ 臨書のルーツ
＊ 中国の書の発展
＊ 日本での書の発展
＊ 臨書の方法 形臨・意臨・背臨
・・・など
☆第2章 古典を見てみよう
＊ 古典の選び方
＊ 書体の展開
≪楷書の古典を見る・読む≫
＊ 九成宮醴泉銘
＊ 孔子廟堂碑
≪行書の古典を見る・読む≫
＊ 祭姪文稿
＊ 風信帖
≪草書の古典を見る・読む≫
＊ 十七帖
＊ 書譜
・・・など
☆第3章 実際に書いてみよう
≪楷書を書いてみよう≫
＊ 九成宮醴泉銘 九成
＊ 九成宮醴泉銘 醴泉
＊ 孔子廟堂碑 玄妙
＊ 孔子廟堂碑 神功
≪行書を書いてみよう≫
＊ 蘭亭序 蘭亭
＊ 蘭亭序 暎帯
＊ 祭姪文稿 真卿
＊ 祭姪文稿 亡姪
・・・など