Vendor Profile
K-Art.Japan
| Address | 5-77-4 Shimmatsudo Matsudoshi Chiba, JAPAN ZIP:270-0034 |
|---|---|
| Representative Name | NOBUTOSHI KOBAYASHI |
| Annual Revenue | closed |
| No. of Employees | closed |
| Web Site URL |
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SD item code:11670372
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
Frame color:black
Size:A4
フレームカラー:ブラック
サイズ:A4
(WR-1009BK-A4)
JAN:4580233154368
|
(WR-1009BK-A4)
JAN:4580233154368
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| S2 |
Frame color:Brown
Size:A4
フレームカラー:ブラウン
サイズ:A4
(WR-1009BR-A4)
JAN:4580233154375
|
(WR-1009BR-A4)
JAN:4580233154375
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| S3 |
Frame color:natural
Size:A4
フレームカラー:ナチュラル
サイズ:A4
(WR-1009NA-A4)
JAN:4580233154382
|
(WR-1009NA-A4)
JAN:4580233154382
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| S4 |
Frame color:white
Size:A4
フレームカラー:ホワイト
サイズ:A4
(WR-1009WH-A4)
JAN:4580233154399
|
(WR-1009WH-A4)
JAN:4580233154399
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| S5 |
Frame color:Black
Size:A3
フレームカラー:ブラック
サイズ:A3
(WR-2009BK-A3)
JAN:4580233154405
|
(WR-2009BK-A3)
JAN:4580233154405
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| S6 |
Frame color:Brown
Size:A3
フレームカラー:ブラウン
サイズ:A3
(WR-2009BR-A3)
JAN:4580233154412
|
(WR-2009BR-A3)
JAN:4580233154412
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| S7 |
Frame color:Natural
Size:A3
フレームカラー:ナチュラル
サイズ:A3
(WR-2009NA-A3)
JAN:4580233154429
|
(WR-2009NA-A3)
JAN:4580233154429
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| S8 |
Frame color:white
Size:A3
フレームカラー:ホワイト
サイズ:A3
(WR-2009WH-A3)
JAN:4580233154436
|
(WR-2009WH-A3)
JAN:4580233154436
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| Shipping Date |
|---|
|
About 10 days
|
| Dimensions |
|---|
|
A4/W230×H317×D20mm 750g
A3/W317×H440×D20mm 1350g |
| Specifications |
|---|
|
Country of manufacture: Japan
Material / component: Natural wood * PET * Paper
Package: Individual box
Year of manufacture: 2023
Product tag: Attached
|
Description
| Kitagawa Utamaro (1753-1806) Ukiyoe artist active in Japan during the Edo period. He began painting in 1790-91, and gained popularity for his [Bijin Oshukue] (Beautiful Women's Head Paintings) such as [Fujin Jinsho Jyuhin] and [Fujin Jinshogaku Jutai]. [He also published a series of full-length, exquisite large-format paintings such as "Seirou Ninwaga Jyogeisha-bu" (Seirou Ninwaga Women Performers), as well as excellent large-format paintings of beautiful women, including "Zensho Bijin-zokei" (A Collection of the Best Beauties of Those Days), "Musume Sundial" (A Clockwork of Young Girls), "Utasen Koi no Shibu" (Selected Poems in Love), and "Kitaguni Goshiki Sumi" (Five Colors of Northern Japan in Ink). At the same time, he also attempted to depict the most intimate and sensual realism. [The sense of flesh seen in "Kawagishi" and "Teppo" from "Kitaguni Goshiki Sumi" and "Bakuren" from "Megane" or secret paintings shows that Utamaro's eye reached not only the beauty but also the existential world with its rawness and muddiness. In collaboration with Tsutajige, Utamaro used such carving and printing techniques as "wireless printing," "red line," and "sesame suki" to create the textures and textures of the skin and costumes. He eventually created an era of Utamaro's paintings of beautiful women, even going so far as to inscribe his works with the inscription "Shomei Utamaro. There are also numerous examples of his work in picture books and ukiyoe paintings. Utamaro omitted the background and sprinkled white mica, and he also omitted the body of a previously full-length portrait of a beautiful woman and instead created a composition with the face as the center of the painting. This made it possible to depict not only the facial expressions of beautiful women, but also their inner lives and glamour in great detail. Utamaro's subjects included prostitutes, courtesans, and teahouse girls (including the famous Taka from Mikawa, who is said to have taken Utamaro's water for his death), and his inclusion of these models quickly spread their fame throughout Edo. The Edo shogunate often imposed restrictions on Utamaro's work as a form of public disorder, but Utamaro countered with hanji-e paintings and other means and continued to paint pictures of beautiful women. Reference Wikipedia #Wa-frame series |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Feb.4th 2026 to Apr.8th 2026 |
| Air Mail | From Jan.19th 2026 to Jan.21st 2026 |
| EMS | From Jan.16th 2026 to Jan.21st 2026 |
| Pantos Express | From Jan.20th 2026 to Jan.23rd 2026 |
| DHL | From Jan.16th 2026 to Jan.20th 2026 |
| UPS | From Jan.16th 2026 to Jan.20th 2026 |
| FedEx | From Jan.16th 2026 to Jan.20th 2026 |
|
Some trading conditions may be applicable only in Japan.
Products are subject to price change, availability, or discontinuation without notice. *The color and texture of the actual product may differ slightly from the images shown here, depending on your monitor.
*The product sizes are as accurate as possible, but there may be slight differences due to differences in production lots, etc. *The corners of the frame are sharp. Please be careful not to get hurt. |
Other items from this category:
Ukiyoe artist active in Japan during the Edo period.
He began painting in 1790-91, and gained popularity for his [Bijin Oshukue] (Beautiful Women's Head Paintings) such as [Fujin Jinsho Jyuhin] and [Fujin Jinshogaku Jutai]. [He also published a series of full-length, exquisite large-format paintings such as "Seirou Ninwaga Jyogeisha-bu" (Seirou Ninwaga Women Performers), as well as excellent large-format paintings of beautiful women, including "Zensho Bijin-zokei" (A Collection of the Best Beauties of Those Days), "Musume Sundial" (A Clockwork of Young Girls), "Utasen Koi no Shibu" (Selected Poems in Love), and "Kitaguni Goshiki Sumi" (Five Colors of Northern Japan in Ink). At the same time, he also attempted to depict the most intimate and sensual realism. [The sense of flesh seen in "Kawagishi" and "Teppo" from "Kitaguni Goshiki Sumi" and "Bakuren" from "Megane" or secret paintings shows that Utamaro's eye reached not only the beauty but also the existential world with its rawness and muddiness. In collaboration with Tsutajige, Utamaro used such carving and printing techniques as "wireless printing," "red line," and "sesame suki" to create the textures and textures of the skin and costumes. He eventually created an era of Utamaro's paintings of beautiful women, even going so far as to inscribe his works with the inscription "Shomei Utamaro. There are also numerous examples of his work in picture books and ukiyoe paintings. Utamaro omitted the background and sprinkled white mica, and he also omitted the body of a previously full-length portrait of a beautiful woman and instead created a composition with the face as the center of the painting. This made it possible to depict not only the facial expressions of beautiful women, but also their inner lives and glamour in great detail. Utamaro's subjects included prostitutes, courtesans, and teahouse girls (including the famous Taka from Mikawa, who is said to have taken Utamaro's water for his death), and his inclusion of these models quickly spread their fame throughout Edo. The Edo shogunate often imposed restrictions on Utamaro's work as a form of public disorder, but Utamaro countered with hanji-e paintings and other means and continued to paint pictures of beautiful women.
Reference Wikipedia
#Wa-frame series
#和額装シリーズ