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Art & Design Book
SD item code:11671333
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
Hiroko Shibasaki (Author), Naonori Negishi (Supervisor)
 Original text before translation
柴﨑 博子 (著), 根岸 尚徳 (監修)
(42748)
JAN:9784780427486
|
(42748)
JAN:9784780427486
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
|---|
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Size: B5 (257mm x 182mm)
Number of pages: 112 Weight: 289g |
| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2023
Product tag: None
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Description
| * Learn how to handle [light] and [color] with abundant examples and procedures. Learn how to handle [light] and [color] with abundant examples and procedures. *Distribution of [light] and [dark]. *Colors created by the environment *How to create beautiful layering of colors unique to watercolor * Comments from the author * When I was asked to write this book, I thought vaguely of my own experience of watercolor I vaguely recalled my own experience of watercolor painting. What I realized was that I had a problem of how to capture light and color, I realized that the question of how to grasp light and color had always been with me, I realized that the problem of how to grasp light and color had always been with me. I realized once again that understanding light and color is an important issue in watercolor painting, I realized once again that understanding light and color is an important issue in watercolor painting. I had learned and experimented with many different ideas and methods, which were generally disorganized and rosebud, I was able to reorganize and systematically reassemble the various ideas and methods that I had learned and tried, which were generally disorganized and disjointed. I have been reorganizing and reassembling them in a systematic way, I was given an opportunity to reorganize and reassemble them systematically, so to speak. In this book, we read light and color, This book logically develops a method for reading light and color and expressing them beautifully. The process of "seeing (observation) → understanding (interpretation) → expression (realism) In each step of the process, the following points should be The points to be kept in mind in advance the points to be kept in mind in advance. It may be an exaggeration to say [but it makes a big difference between knowing and not knowing!] I hope you will find it useful. I hope it will be useful for those who are aiming to further improve their skills. I hope it will be of help to those who want to further improve their skills. Hiroko Shibasaki * Main contents * * Chapter 1: Preparation for painting figures in watercolor * What you need for drawing * What you need for coloring * Tools that are useful to have * Paper size and compositional guidelines * Paper size and compositional guidelines * etc. *Chapter 2: Basic knowledge of light and color * What are light and color? * The three primary colors of light and color * The three attributes of color... The properties of color [measure]... * Mechanism of watercolors and principles of coloration * etc. *Chapter 3: Tips for reading light and color * Reading shades according to the direction * angle of light * Reading the distribution of light and dark * Read the environment in which light is present * Read reflections and reflections of light * etc. *Chapter 4: Tips for expressing light and color beautifully * Express with intrinsic color plus light and dark * Manipulate the colors in the palette * The coloring procedure is the key to expressing beautiful light and color. * "Fringing" and "gradation" to accentuate light and shadow * etc. *Chapter 5: Practice * [Scent of early spring]... Painting a backlit model Outdoors * [Silent Time]... Painting a model in forward light Indoors * [Rose music]... Painting a model in backlight Indoors * [Sunlight]... Draw a model in oblique light Outdoors * etc. |
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People Also Searched:
artOther items from this category:
Learn how to handle [light] and [color] with abundant examples and procedures.
*Distribution of [light] and [dark].
*Colors created by the environment
*How to create beautiful layering of colors unique to watercolor
* Comments from the author *
When I was asked to write this book,
I thought vaguely of my own experience of watercolor
I vaguely recalled my own experience of watercolor painting.
What I realized was that I had a problem of how to capture light and color,
I realized that the question of how to grasp light and color had always been with me,
I realized that the problem of how to grasp light and color had always been with me.
I realized once again that understanding light and color is an important issue in watercolor painting,
I realized once again that understanding light and color is an important issue in watercolor painting.
I had learned and experimented with many different ideas and methods, which were generally disorganized and rosebud,
I was able to reorganize and systematically reassemble the various ideas and methods that I had learned and tried, which were generally disorganized and disjointed.
I have been reorganizing and reassembling them in a systematic way,
I was given an opportunity to reorganize and reassemble them systematically, so to speak.
In this book, we read light and color,
This book logically develops a method for reading light and color and expressing them beautifully.
The process of "seeing (observation) → understanding (interpretation) → expression (realism)
In each step of the process, the following points should be
The points to be kept in mind in advance
the points to be kept in mind in advance.
It may be an exaggeration to say
[but it makes a big difference between knowing and not knowing!]
I hope you will find it useful.
I hope it will be useful for those who are aiming to further improve their skills.
I hope it will be of help to those who want to further improve their skills.
Hiroko Shibasaki
* Main contents *
* Chapter 1: Preparation for painting figures in watercolor
* What you need for drawing
* What you need for coloring
* Tools that are useful to have * Paper size and compositional guidelines
* Paper size and compositional guidelines
* etc.
*Chapter 2: Basic knowledge of light and color
* What are light and color?
* The three primary colors of light and color
* The three attributes of color... The properties of color [measure]...
* Mechanism of watercolors and principles of coloration
* etc.
*Chapter 3: Tips for reading light and color
* Reading shades according to the direction * angle of light
* Reading the distribution of light and dark
* Read the environment in which light is present
* Read reflections and reflections of light
* etc.
*Chapter 4: Tips for expressing light and color beautifully
* Express with intrinsic color plus light and dark
* Manipulate the colors in the palette
* The coloring procedure is the key to expressing beautiful light and color.
* "Fringing" and "gradation" to accentuate light and shadow
* etc.
*Chapter 5: Practice
* [Scent of early spring]... Painting a backlit model Outdoors
* [Silent Time]... Painting a model in forward light Indoors
* [Rose music]... Painting a model in backlight Indoors
* [Sunlight]... Draw a model in oblique light Outdoors
* etc.
「光」と「色彩」の扱い方を学びます。
＊「明」と「暗」の分布
＊環境によって生まれる色
＊水彩特有の美しい色の重ね方
◇◆◇ 著者からのコメント ◇◆◇
本書の依頼をお受けした時、
私は自身がたどって来た水彩画体験の来し方を
漠然と思い浮かべました。
そこで気づいたのは、
光と色をどうつかまえたらよいかという問題意識が、
いつも私の中にあり続けていたことでした。
光と色の理解が水彩画を描く上で重要な課題だと、
改めて認識することになりました。
私は自分が学び試してきた様々な考え方や方法、
それらはおおむね無秩序でバラバラな状態であったのを
改めて整理して体系的に組み立て直す、
いわば「学びなおし」の機会を与えられたのだと思います。
本書では光と色を読みとり、
美しく表現する方法を論理的に展開しています。
見る（観察）→理解（解釈）→表現（写実）
という各過程の中で、
あらかじめ押さえておきたいポイントを
整理しています。
大袈裟かもしれませんが
「知っているのといないのでは大違い!」
のコツを示したつもりです。
さらにレベルアップを目指しておられる方の
お役に立つことができれば幸いです。
柴﨑 博子
◇◆◇ 主な目次 ◇◆◇
☆第1章 水彩で人物画を描くための下準備
＊ デッサンに必要なもの
＊ 彩色に必要なもの
＊ あると便利な道具
＊ 紙の大きさと構図の目安
・・・など
☆第2章 光と色の基礎知識編
＊ 光と色の正体?
＊ 光と色の三原色
＊ 色の三属性…色の性質を表す「ものさし」
＊ 水彩絵の具のしくみと発色の原理
・・・など
☆第3章 光と色を読みとるコツ
＊ 光の方向・角度による陰影を読みとる
＊ 明と暗の分布を読みとる
＊ 光のある環境を読みとる
＊ 光の反射や反映を読みとる
・・・など
☆第4章 光と色を美しく表現するコツ
＊ 固有色プラス明暗で表現する
＊ パレットの中の色を操る
＊ 美しい光と色の表現は、彩色の手順が決め手
＊ 光と影が際立つ「縁どり」と「グラデーション」
・・・など
☆第5章 実践編
＊ 「早春の香り」…逆光のモデルを描く 屋外
＊ 「静寂の時刻」…順光のモデルを描く 屋内
＊ 「薔薇の調べ」…逆光のモデルを描く 屋内
＊ 「陽光」…斜光のモデルを描く 屋外
・・・など