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BIJUTSU SHUPPAN-SHA CO., LTD.
| Address | 3-1-1 Kamiosaki Shinagawaku Tokyo, JAPAN ZIP:141-8203 |
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| Representative Name | TAKAYUKI TOYAMA |
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| No. of Employees | 40 |
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Art & Design Book
SD item code:12027189
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The Art of the Post-Humanocene
 Original text before translation
ポスト人新世の芸術
(56820281)
JAN:9784568202816
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(56820281)
JAN:9784568202816
Wholesale Price: Members Only
1 pc /set
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Country of manufacture: Japan
Material / component: Paper
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Description
| Is art possible after humans are gone? [The author of "A History of Contemporary Art" (Chukoh Shinsho) asks the question to the future, a completely new history of art of humans and nature. What kind of era will come after the arrival of the "Anthropocene," in which human activities will have a significant impact on the global environment, and what will art theory be like in such an era? What will art theory be like in such an age? This spirited art critic talks about art theory in the post-Humanocene era. The purpose of this book is to construct an art history based on the relationship between humans and nature. How have artists created while confronting nature, and in what ways is the artist's perception of nature expressed in past works of art? In the humanities, the ideas of "art" and "beauty" have often been treated as if they were the exclusive domain of human beings. However, recent studies have revealed that a sense of beauty as "the experience of seeing or hearing something" has a common basis with that of animals and plants. This book breaks away from the human-centered perspective that dominates art history and cultural studies, and reassesses the history of art from a perspective that is relative to the human species. By doing so, it aims to open up an entirely new perspective. |
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[The author of "A History of Contemporary Art" (Chukoh Shinsho) asks the question to the future, a completely new history of art of humans and nature.
What kind of era will come after the arrival of the "Anthropocene," in which human activities will have a significant impact on the global environment, and what will art theory be like in such an era?
What will art theory be like in such an age? This spirited art critic talks about art theory in the post-Humanocene era.
The purpose of this book is to construct an art history based on the relationship between humans and nature. How have artists created while confronting nature, and in what ways is the artist's perception of nature expressed in past works of art? In the humanities, the ideas of "art" and "beauty" have often been treated as if they were the exclusive domain of human beings. However, recent studies have revealed that a sense of beauty as "the experience of seeing or hearing something" has a common basis with that of animals and plants. This book breaks away from the human-centered perspective that dominates art history and cultural studies, and reassesses the history of art from a perspective that is relative to the human species. By doing so, it aims to open up an entirely new perspective.
『現代美術史』(中公新書)をまとめ上げた著者が未来に問う、まったく新しい人間と自然の美術史
人間活動が地球環境に重大な影響を与える「人新世」の時代が到来、さらにその次にどういった時代が来るのか、そうした時代に美術論がどういったものになるのか。
気鋭の美術評論家が語るポスト「人新世」の美術論。
本書の目的は、人間と自然の関係を軸とした美術史を構築することである。アーティストはいかにして自然と対峙しながら創作してきたのか、作家の自然をめぐる認識がどのような形で過去の芸術作品に表出しているのか。人文科学の領域のなかでは、しばしば「芸術」や「美」の観念はあたかも人間の専売特許のごとく扱われてきた。しかし「なにかを見たり聞いたりしたときに感じる経験」としての美意識には、動物や植物と共通の基底が存在することを近年のいくつかの研究は明らかにしている。本書は、美術史や文化研究で支配的な人間を中心に据えた視点を脱却し、人類という種を相対化した目線から芸術の歴史を捉え直す。それによってまったく新しい展望を開くことを目論んでいる。