![](http://c.superdelivery.com/img/common/header/sd_exp_logo_00.png)
Vendor Profile
SEIGENSHA Art Publishing
Address | 9-1 Umetadacho Kyotoshinakagyokukarasumahigashiiru Kyoto, JAPAN ZIP:604-8136 |
---|---|
Representative Name | MAKOTO KATAYAMA |
Annual Revenue | closed |
No. of Employees | 24 |
Web Site URL | |
SNS |
Other items from this category
Art/Design Magazine Book
SD item code:12365949
Detail | Price & Quantity | ||
---|---|---|---|
S1 |
Author: Sakuji Yoshimoto
![]()
著者:吉本作次
(955)
|
(955)
Wholesale Price: Members Only
1 pc /set
In Stock
|
Dimensions |
---|
A4 size / 208 pages
|
Specifications |
---|
Country of manufacture: Japan
Material / component: Paper
Product tag: None
|
Description
This exhibition traces the unique path of Sakuji Yoshimoto, a painter who is indispensable for understanding the development of painting in Japanese contemporary art. Yoshimoto Sakuji (b. 1959) made his debut in the 1980s, riding the wave of New Expressionism (New Painting), an international trend that strongly marked the revival of painting amidst the rise of installations, which were a form of exhibition that created space for the production of art. Yoshimoto attracted attention for his large paintings with strong, undulating strokes and heavy textures, contrasted by graphical images and floating forms. Since the 1990s, he has repeatedly made drawings in search of new forms of expression, incorporating elements of [line] from the brushwork of Chinese painting and focusing on the subject matter and composition of European painting since the Renaissance, resulting in a transformation to an expression that combines stillness and dynamism with allegorical subjects. Since 2005, he has been a professor at Nagoya University of Arts, where he teaches both theory and technique to younger artists. This book presents over 100 illustrations of Yoshimoto's works from his early years to the present, essays and commentaries by Yoshimoto, and essays by Takehara Takeba (Nagoya City Art Museum) and Kazuo Yamawaki (art critic), which introduce Yoshimoto's unique "path" as an indispensable figure in the development of painting in Japanese contemporary art since the 1980s. Yoshimoto's unique "pathways" are introduced here. |
More
Shipping Method | Estimated Arrival |
---|---|
Sea Mail | From Jul.15th to Sep.16th |
Air Mail | From Jun.27th to Jul.1st |
EMS | From Jun.26th to Jul.1st |
Pantos Express | From Jun.28th to Jul.3rd |
DHL | From Jun.26th to Jun.28th |
UPS | From Jun.26th to Jun.28th |
FedEx | From Jun.26th to Jun.28th |
Some trading conditions may be applicable only in Japan.
*Important Notice
Under the resale price maintenance system, publishers are legally allowed to specify the selling price of their books. We ask that your company also adhere to the sales price specified by us. In the unlikely event that you fail to do so, we will discontinue our business with you. We ask for your understanding in advance. |
Other items from this category:
Yoshimoto Sakuji (b. 1959) made his debut in the 1980s, riding the wave of New Expressionism (New Painting), an international trend that strongly marked the revival of painting amidst the rise of installations, which were a form of exhibition that created space for the production of art. Yoshimoto attracted attention for his large paintings with strong, undulating strokes and heavy textures, contrasted by graphical images and floating forms.
Since the 1990s, he has repeatedly made drawings in search of new forms of expression, incorporating elements of [line] from the brushwork of Chinese painting and focusing on the subject matter and composition of European painting since the Renaissance, resulting in a transformation to an expression that combines stillness and dynamism with allegorical subjects.
Since 2005, he has been a professor at Nagoya University of Arts, where he teaches both theory and technique to younger artists.
This book presents over 100 illustrations of Yoshimoto's works from his early years to the present, essays and commentaries by Yoshimoto, and essays by Takehara Takeba (Nagoya City Art Museum) and Kazuo Yamawaki (art critic), which introduce Yoshimoto's unique "path" as an indispensable figure in the development of painting in Japanese contemporary art since the 1980s. Yoshimoto's unique "pathways" are introduced here.