Vendor Profile
BIJUTSU SHUPPAN-SHA CO., LTD.
| Address | 3-1-1 Kamiosaki Shinagawaku Tokyo, JAPAN ZIP:141-8203 |
|---|---|
| Representative Name | TAKAYUKI TOYAMA |
| Annual Revenue | closed |
| No. of Employees | 40 |
Magazine
SD item code:5421867
| Detail | Price & Quantity | ||
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| S1 |
Bijyutsutecho
 Original text before translation
美術手帖編集部
(831607)
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(831607)
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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20.8cm x 14.4cm x 1.6cm
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| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Product tag: None
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Description
| Special Feature 2.5-D Culture Where the Characters Are In the content industry centered on Japanese manga, anime, and video games In the content industry, a form of expression that is highly live and experiential, which could be called "2.5 dimensional culture," has been attracting attention in recent years. The term "2.5 dimensional culture" has been attracting attention as a form of expression with a high degree of live performance and experience. The term "2.5 dimensional culture" refers to the term used in character expression The term "2.5 dimension" can be interpreted in various ways, such as between two-dimensional and three-dimensional, between fiction and reality, and so on. For example, in a 2.5D musical [It is as if the characters have stepped out of a comic book! The "beyond dimensionality" of the musical is "beyond the dimension. The surprise and excitement that "transcends dimensions" captures the audience's hearts. It is an intellectual game supported by the power of imagination. It may have the potential to shake the reality of our time. We would like to explore the various aspects of the expanding "2.5-dimensional culture" and its background from various perspectives. SPECIAL FEATURE 2.5-D Culture Where the Characters Are PART 1 2.5D STAGE/MUSICAL 2.5D STAGE/MUSICAL STAGE 1 Musical [Prince of Tennis]. How to create a magical land called [TENNIMU Executive Producer: Makoto Matsuda Original Direction/Choreography Yukio Ueshima Screenplay/Lyrics by Yuji Mitsuya Kazunori Furuta (Ryoma Echizen) Hiroki Miura (Keigo Atobe) + Keiki Utsumi (Waka Hiyoshi) SPECIAL PHOTO MUSICAL THE PRINCE OF TENNIS CONCERT Dream Live 2016 You can see it from now on! Recommended 2.5D Performances for 2016 SATGE 2 Stage [sword dance]. The heart is in the [swordsmith]. Nitroplus President Takashi Kosaka Suzuki Hiroki (Playing the role of Mikazuki Munechika) Written and directed by Kenichi Suemitsu Costume Designer: Takakiyo Eto STAGE 3 Interview: Voices about 2.5 dimensions Keisuke Ueda Shatner Nishida Yoshiro Kataoka & Naito Yamada STAGE 4 Discussion: 2.5 dimensions from three perspectives How 2.5D Fans View the Stage: A Comparison with Takarazuka Fans Manga and 2.5D [Weak Pedal]: The Mechanism of Character Creation 2.5D, our new sport Hyper-projection theater [HIQUE!] PART 2 2.5D CULTURE At the forefront of heated character culture [2.5D CULTURE] 2.5D CULTURE MAP Interplay with Imagination ~The Range of 2.5D Cultural Domain CASE STUDY KING OF PRISM the Movie by PrettyRhythm Director*Masakazu Hishida Interview + Discussion [The Art of Call and Response] Cheering Screening/Character Voice Actor Live/Idol x Voice Actor/ Character SNS Accounts/Contents Tourism/Cosplay Dialogue: Harumi Kawaguchi (Poet) & Arisa Iwakawa (Literature*Queer Criticism) The 0.5 place where characters and [I] meet |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.30th to Aug.2nd |
| Air Mail | From May.14th to May.16th |
| EMS | From May.13th to May.16th |
| Pantos Express | From May.15th to May.20th |
| DHL | From May.13th to May.15th |
| UPS | From May.13th to May.15th |
| FedEx | From May.13th to May.15th |
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Some trading conditions may be applicable only in Japan.
*Important Notice
Under the resale price maintenance system, publishers are legally allowed to specify the selling price of their books. We ask that your company also adhere to the sales price specified by us. In the unlikely event that you fail to do so, we will discontinue our business with you. We ask for your understanding in advance. |
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Magazine
2.5-D Culture
Where the Characters Are
In the content industry centered on Japanese manga, anime, and video games
In the content industry, a form of expression that is highly live and experiential, which could be called "2.5 dimensional culture," has been attracting attention in recent years.
The term "2.5 dimensional culture" has been attracting attention as a form of expression with a high degree of live performance and experience.
The term "2.5 dimensional culture" refers to the term used in character expression
The term "2.5 dimension" can be interpreted in various ways, such as between two-dimensional and three-dimensional, between fiction and reality, and so on.
For example, in a 2.5D musical
[It is as if the characters have stepped out of a comic book! The "beyond dimensionality" of the musical is "beyond the dimension.
The surprise and excitement that "transcends dimensions" captures the audience's hearts.
It is an intellectual game supported by the power of imagination.
It may have the potential to shake the reality of our time.
We would like to explore the various aspects of the expanding "2.5-dimensional culture" and its background from various perspectives.
SPECIAL FEATURE
2.5-D Culture
Where the Characters Are
PART 1 2.5D STAGE/MUSICAL
2.5D STAGE/MUSICAL
STAGE 1
Musical [Prince of Tennis].
How to create a magical land called [TENNIMU
Executive Producer: Makoto Matsuda
Original Direction/Choreography Yukio Ueshima
Screenplay/Lyrics by Yuji Mitsuya
Kazunori Furuta (Ryoma Echizen)
Hiroki Miura (Keigo Atobe) + Keiki Utsumi (Waka Hiyoshi)
SPECIAL PHOTO
MUSICAL THE PRINCE OF TENNIS CONCERT
Dream Live 2016
You can see it from now on! Recommended 2.5D Performances for 2016
SATGE 2
Stage [sword dance].
The heart is in the [swordsmith].
Nitroplus President Takashi Kosaka
Suzuki Hiroki (Playing the role of Mikazuki Munechika)
Written and directed by Kenichi Suemitsu
Costume Designer: Takakiyo Eto
STAGE 3
Interview: Voices about 2.5 dimensions
Keisuke Ueda
Shatner Nishida
Yoshiro Kataoka & Naito Yamada
STAGE 4
Discussion: 2.5 dimensions from three perspectives
How 2.5D Fans View the Stage: A Comparison with Takarazuka Fans
Manga and 2.5D [Weak Pedal]: The Mechanism of Character Creation
2.5D, our new sport Hyper-projection theater [HIQUE!]
PART 2 2.5D CULTURE
At the forefront of heated character culture
[2.5D CULTURE]
2.5D CULTURE MAP
Interplay with Imagination ~The Range of 2.5D Cultural Domain
CASE STUDY
KING OF PRISM the Movie by PrettyRhythm
Director*Masakazu Hishida Interview + Discussion [The Art of Call and Response]
Cheering Screening/Character Voice Actor Live/Idol x Voice Actor/
Character SNS Accounts/Contents Tourism/Cosplay
Dialogue: Harumi Kawaguchi (Poet) & Arisa Iwakawa (Literature*Queer Criticism)
The 0.5 place where characters and [I] meet
特集
2.5次元文化
キャラクターのいる場所
日本のマンガやアニメやゲームを中心とする
コンテンツ産業において、近年「2.5次元文化」と呼びうる、
ライブ性や体験性の高い表現形態が注目を集めている。
2.5次元」という言葉は、キャラクター表現において、
平面と立体のはざま、虚構と現実のはざまなど、様々な解釈が可能だ。
例えば「2.5次元ミュージカル」では、
「キャラクターがマンガから抜け出してきたみたい! 」という
“次元を超えた"驚きや感動が、観客の心をとらえる。
それはイマジネーションの力に支えられたな知的な遊戯であり、
現代のリアリティーを揺さぶる可能性を秘めているかもしれない。
広がりゆく「2.5次元文化」の諸相とその背景を、多角的にひもときたい。
SPECIAL FEATURE
2.5次元文化
キャラクターのいる場所
PART 1 2.5D STAGE/MUSICAL
2.5次元舞台/ミュージカル
STAGE 1
ミュージカル『テニスの王子様』
「テニミュ」という魔法の国のつくり方
エグゼクティブプロデューサー 松田 誠
オリジナル演出/振付 上島雪夫
脚本/作詞 三ツ矢雄二
古田一紀(越前リョーマ 役)
三浦宏規(跡部景吾 役)+内海啓貴(日吉 若 役)
SPECIAL PHOTO
MUSICAL THE PRINCE OF TENNIS CONCERT
Dream Live 2016
これから見られる! 2016年オススメの2.5次元舞台
SATGE 2
舞台『刀剣乱舞』
「刀剣男士」に心を宿す
ニトロプラス代表取締役 小坂崇氣
鈴木拡樹(三日月宗近 役)
脚本/演出 末満健一
衣裳 惠藤高清
STAGE 3
インタビュー:2.5次元をめぐる声
植田圭輔
西田シャトナー
片岡義朗×やまだないと
STAGE 4
論考:3つの視点から読む2.5次元
2.5次元ファンの舞台の見方~宝塚ファンとの比較から~
マンガと2.5次元 『弱虫ペダル』におけるキャラクター生成のメカニズム
2.5次元、僕らの新しいスポーツ ハイパープロジェクション演劇「ハイキュー!!」
PART 2 2.5D CULTURE
加熱するキャラクターカルチャー最前線
「2.5次元文化領域」
2.5次元文化領域MAP
イマジネーションとのインタープレイ~2.5次元文化領域の射程~
CASE STUDY
劇場版『KING OF PRISM by PrettyRhythm』
監督・菱田正和インタビュー+論考「コールアンドレスポンスの妙技」
応援上映/キャラ声優ライブ/アイドル×声優/
キャラSNSアカウント/コンテンツツーリズム/コスプレ
対談:川口晴美(詩人)×岩川ありさ(文学・クィア批評)
キャラクターと「わたし」が出会う0.5の場所