Vendor Profile
BIJUTSU SHUPPAN-SHA CO., LTD.
| Address | 3-1-1 Kamiosaki Shinagawaku Tokyo, JAPAN ZIP:141-8203 |
|---|---|
| Representative Name | TAKAYUKI TOYAMA |
| Annual Revenue | closed |
| No. of Employees | 40 |
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SD item code:6232776
| Detail | Price & Quantity | ||
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Bijyutsutecho
 Original text before translation
美術手帖編集部
(831808)
JAN:4910076110885
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(831808)
JAN:4910076110885
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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21.1 x 14.7 x 1.5 cm
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| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Product tag: None
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Description
| special feature (e.g. in a magazine) Post* Performance A new area where art, theater and dance intersect In this special issue, we will introduce a new criticality in today's art. The special feature is "Post*Performance," a situation in which performance expression that can have a new criticality in today's art exists in multiple layers, We will examine these expressions from various angles. The term "performance," which has been used in the context of art in the past, has a wide range of meanings, It is not possible to speak of it in a single sense. For example, in the past, the term "performance" has been used in the context of art, but also by participating in the actions initiated by the artist, The body of a third party itself becomes the work of art, as the individual's physicality is separated from the artist. The work becomes a work of art in itself. In the "Post*Performance" series, works that emerge in a limited time and space, or works that are created in a limited space and time, or works that are created in a limited time and space, are featured, The special feature "Post*Performance" looks at the thinking of artists who present works that emerge in a limited time and space, and works that use performance and the body in art museums. At the same time, it also explores new forms of expression that are attracting attention in the field of theater and new attempts in theaters. The goal is to rediscover the way of looking at these forms of expression. SPECIAL FEATURE Post* Performance A new area where art, theater and dance intersect PART1: Theatre/Performance/Art Expressionists in Resonance Toshiki Okada (chelfitsch) Maria*Hassabi/Anne*Imhoff/Mark*Te/Akira Sasamoto/Takuya Murakawa Artist File Ansea*Hamilton/ Ivo*Dimichev/ Ketley*Noel Signa/Emily*Johnson/Kristof*Schlingenzieff Rimini*Protocol Alexandra*Pilici/Kohei Sekikawa REPORT Port B [New Tokyo School Trip Project] Workshop* Report [The Diversity of Society and Theatre through the Activities of Ajo-kai Dialogue: YOMIYA SHIROTAMA Mikuni Yanaihara PART2 Key words to understand the forefront of performance Column 1: A Brief History of Performance Column 2: Project to [learn] folk performing arts Column 3: Berlin's Grand Theatre: The Director's Resignation PART3: What's happening in museums/theaters? Performing Arts Beyond Boundaries Tadasu Takamine x Chiaki Soma x Yusuke Hashimoto Discussion Various Trends in European Theatre: A Subjective Brief Review Max-Philippe*Aschenbrenner=Writing On Performativity after Performance Koki TANAKA=Writing Crisis and Possibility of Dance in Museums: Tate, Museum of Modern Art, New York, Whitney Museum of American Art (abstract) Claire*Bishop=Writing Toshikatsu Omori=Translation ARTIST INTERVIEW Sachiko Kazama Tomoko Yabumae = Interviewer |
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| Shipping Method | Estimated Arrival |
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| Sea Mail | From May.30th to Aug.2nd |
| Air Mail | From May.14th to May.16th |
| EMS | From May.13th to May.16th |
| Pantos Express | From May.15th to May.20th |
| DHL | From May.13th to May.15th |
| UPS | From May.13th to May.15th |
| FedEx | From May.13th to May.15th |
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People Also Searched:
MagazineOther items from this category:
Post* Performance
A new area where art, theater and dance intersect
In this special issue, we will introduce a new criticality in today's art.
The special feature is "Post*Performance," a situation in which performance expression that can have a new criticality in today's art exists in multiple layers,
We will examine these expressions from various angles.
The term "performance," which has been used in the context of art in the past, has a wide range of meanings,
It is not possible to speak of it in a single sense.
For example, in the past, the term "performance" has been used in the context of art,
but also by participating in the actions initiated by the artist,
The body of a third party itself becomes the work of art, as the individual's physicality is separated from the artist.
The work becomes a work of art in itself.
In the "Post*Performance" series, works that emerge in a limited time and space, or works that are created in a limited space and time, or works that are created in a limited time and space, are featured,
The special feature "Post*Performance" looks at the thinking of artists who present works that emerge in a limited time and space, and works that use performance and the body in art museums.
At the same time, it also explores new forms of expression that are attracting attention in the field of theater and new attempts in theaters.
The goal is to rediscover the way of looking at these forms of expression.
SPECIAL FEATURE
Post* Performance
A new area where art, theater and dance intersect
PART1: Theatre/Performance/Art Expressionists in Resonance
Toshiki Okada (chelfitsch)
Maria*Hassabi/Anne*Imhoff/Mark*Te/Akira Sasamoto/Takuya Murakawa
Artist File
Ansea*Hamilton/ Ivo*Dimichev/ Ketley*Noel
Signa/Emily*Johnson/Kristof*Schlingenzieff
Rimini*Protocol
Alexandra*Pilici/Kohei Sekikawa
REPORT
Port B [New Tokyo School Trip Project] Workshop* Report
[The Diversity of Society and Theatre through the Activities of Ajo-kai Dialogue: YOMIYA SHIROTAMA Mikuni Yanaihara
PART2 Key words to understand the forefront of performance
Column 1: A Brief History of Performance
Column 2: Project to [learn] folk performing arts
Column 3: Berlin's Grand Theatre: The Director's Resignation
PART3: What's happening in museums/theaters?
Performing Arts Beyond Boundaries
Tadasu Takamine x Chiaki Soma x Yusuke Hashimoto
Discussion
Various Trends in European Theatre: A Subjective Brief Review
Max-Philippe*Aschenbrenner=Writing
On Performativity after Performance
Koki TANAKA=Writing
Crisis and Possibility of Dance in Museums: Tate, Museum of Modern Art, New York, Whitney Museum of American Art (abstract)
Claire*Bishop=Writing Toshikatsu Omori=Translation
ARTIST INTERVIEW
Sachiko Kazama
Tomoko Yabumae = Interviewer
ポスト・パフォーマンス
美術、演劇、ダンスが交差する新たな領域
特集では、今日のアートにおいて新たな批評性をもちうる
パフォーマンス表現が重層的に存在する状況を「ポスト・パフォーマンス」と呼び、
これらの表現を様々な角度から検証する。
過去、アートの文脈で語られてきたパフォーマンスという言葉は様々な振れ幅を持ち、
一義的に語ることはできない。
例えばそこでは、観客は作品を鑑賞するだけでなく、
アーティストが仕掛けたアクションに参加することで作品が成立したり、
作家から個の身体性が切り離され、第三者の身体そのものが作品になったりする。
。 特集「ポスト・パフォーマンス」として、時間と空間が限定されたなかで立ち現れる作品や、
美術館においてパフォーマンスや身体を用いた作品を発表する作家たちの思考に迫る。
また同時に、演劇の分野で注目される新しい表現形式や、劇場における新たな試みを探る。
そして、それらの表現の見方を再発見することを目指す。
SPECIAL FEATURE
ポスト・パフォーマンス
美術、演劇、ダンスが交差する新たな領域
PART1 共振する演劇／パフォーマンス／アートの表現者たち
岡田利規（チェルフィッチュ）
マリア・ハッサビ／アンネ・イムホフ／マーク・テ／笹本晃／村川拓也
アーティストファイル
アンセア・ハミルトン／イヴォ・ディミチェフ／ケトリー・ノエル
シグナ／エミリー・ジョンソン／クリストフ・シュリンゲンジーフ
リミニ・プロトコル
アレクサンドラ・ピリチ／関川航平
REPORT
Port B 「新・東京修学旅行プロジェクト」ワ ークショップ・レポート
「亜女会」の活動から考える社会と演劇の多様性 対談：羊屋白玉矢内原美邦
PART2 パフォーマンスの最前線をひもとくキーワード
コラム1：パフォーマンス小史
コラム2：民俗芸能を「習う」プロジェクト
コラム3：ベルリンの大劇場、ディレクター退陣をめぐって
PART3 美術館／劇場でいま何が起きているのか？
境界を超えて進むパフォーミング・アーツの現在
高嶺格×相馬千秋×橋本裕介
論考
ヨーロッパ演劇の諸傾向──主観的な寸評
マックス=フィリップ・アッシェンブレンナー＝文
パフォーマンス以後のパフォーマティヴィティについて
田中功起＝文
美術館におけるダンスの危機と可能性：テート、ニューヨーク近代美術館、ホイットニー美術館（抄訳）
クレア・ビショップ＝文 大森俊克＝翻訳
ARTIST INTERVIEW
風間サチコ Sachiko Kazama
藪前知子＝聞き手