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SD item code:9328976
| Detail | Price & Quantity | ||
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| S1 |
Seiichi Nakamura (Author)
 Original text before translation
中村 誠一 (著)
(42418)
JAN:9784780424188
|
(42418)
JAN:9784780424188
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
|---|
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Size: A5 (210mm x 148mm)
Number of pages: 128 Weight: 236g |
| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2021
Product tag: None
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Description
| * [Tips for self-study] and [Points for improvement Pros will give you advice on [tips for self-study] and [points to improve]! * Effective [step-up methods] are explained! * Expand your [ability to express yourself * More [ideas] for [phrases * You can easily listen to the sound of the model You can easily listen to the model sounds with [QR code]! * Comments from the supervisor * Jazz improvisation is different for everyone. There is no one way to improvise or to think about improvisation. There is more than one way to improvise. That's the interesting part. In other words, you can improvise You can do it any way you want. You can do it any way you want. But whatever you do is fine. Good? Good or bad? Who is going to make that assessment? And who is going to make that assessment? The people who are listening, the people who are performing with you, and above all, yourself. and above all, yourself. When you play a good ad-lib solo, everyone Everyone is smiling when you play a good ad-lib solo. Rhythm gets stuck and like a fountain The music overflows and fills and your whole body is filled with joy. Once you have experienced this you will not be able to stop. To achieve this experience, you must practice daily. I hope this book will help you with that practice. In this book, I have written about the jazz elements of improvisation. I have tried to write about the elements of jazz I think it is good to imitate the solos of great players. It is good to imitate the solos of great players. But I want you to understand why the player why they play the solos they do. why he/she plays such solos. The saxophone has a rich tone. loud, quiet notes, and fast passages. The saxophone is an easy instrument to play. Octaves can be raised and lowered in a single key. and fingering is the same. That is why it has spread so widely around the world. Invented by Adolph Sax in 1846 invented by Adolph *Sachs in 1846, is probably the greatest invention of the 19th century. With such a wonderful instrument as your own, let's paint a picture in the air. Let's paint a picture in the air. That is improvisation. Seiichi Nakamura Professor Emeritus, Jazz Course, Senzoku Gakuen School of Music * Main Contents * * INTRODUCTION Characteristics of the instrument and the basics of setting up * How to hold and set up your instrument * First, let's understand the characteristics of your instrument. * etc. * CHAPTER1 Warm-up and basic practice * Improve your practice methods to increase your efficiency. * Let's practice jazz motifs! * etc. * CHAPTER2 Let's learn various improvisation phrases. * Let's understand blue notes. * How to feel chords [Let's use pentatonic]. * etc. * CHAPTER3 Let's expand your ideas for improvisation. * Prepare well for the performance with no regrets. * To play ad-libs with ease and freedom * etc. * My LP HISTORY * What is a memorable LP? * Let's listen to the concert of tenor saxophone giants * etc. |
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People Also Searched:
music bookOther items from this category:
Pros will give you advice on [tips for self-study] and [points to improve]!
* Effective [step-up methods] are explained!
* Expand your [ability to express yourself
* More [ideas] for [phrases
* You can easily listen to the sound of the model
You can easily listen to the model sounds with [QR code]!
* Comments from the supervisor *
Jazz improvisation is different for everyone.
There is no one way to improvise or to think about improvisation.
There is more than one way to improvise.
That's the interesting part.
In other words, you can improvise
You can do it any way you want.
You can do it any way you want.
But whatever you do is fine.
Good? Good or bad? Who is going to make that assessment?
And who is going to make that assessment?
The people who are listening, the people who are performing with you, and above all, yourself.
and above all, yourself.
When you play a good ad-lib solo, everyone
Everyone is smiling when you play a good ad-lib solo.
Rhythm gets stuck and like a fountain
The music overflows and fills
and your whole body is filled with joy.
Once you have experienced this
you will not be able to stop.
To achieve this experience, you must practice daily.
I hope this book will help you with that practice.
In this book, I have written about the jazz elements of improvisation.
I have tried to write about the elements of jazz
I think it is good to imitate the solos of great players.
It is good to imitate the solos of great players.
But I want you to understand why the player
why they play the solos they do.
why he/she plays such solos.
The saxophone has a rich tone.
loud, quiet notes, and fast passages.
The saxophone is an easy instrument to play.
Octaves can be raised and lowered in a single key.
and fingering is the same.
That is why it has spread so widely around the world.
Invented by Adolph Sax in 1846
invented by Adolph *Sachs in 1846, is probably the greatest invention of the 19th century.
With such a wonderful instrument as your own, let's paint a picture in the air.
Let's paint a picture in the air.
That is improvisation.
Seiichi Nakamura
Professor Emeritus, Jazz Course, Senzoku Gakuen School of Music
* Main Contents *
* INTRODUCTION
Characteristics of the instrument and the basics of setting up
* How to hold and set up your instrument
* First, let's understand the characteristics of your instrument.
* etc.
* CHAPTER1
Warm-up and basic practice
* Improve your practice methods to increase your efficiency.
* Let's practice jazz motifs!
* etc.
* CHAPTER2
Let's learn various improvisation phrases.
* Let's understand blue notes.
* How to feel chords [Let's use pentatonic].
* etc.
* CHAPTER3
Let's expand your ideas for improvisation.
* Prepare well for the performance with no regrets.
* To play ad-libs with ease and freedom
* etc.
* My LP HISTORY
* What is a memorable LP?
* Let's listen to the concert of tenor saxophone giants
* etc.
プロがアドバイス!
★ 効果的な「ステップアップ法」がわかる
★ 「表現力」に幅がでる
★ 「フレーズ」の「アイディア」が増える
★ お手本のサウンドが
「QRコード」で簡単に聴ける!
◆◇◆ 監修者からのコメント ◆◇◆
ジャズのアドリブは、人によってみんな違います。
アドリブの方法とか考え方は
ひとつではないということです。
そこが面白いところで、
言い方を変えるなら、
どんな方法でも、何をやってもいい
ということです。
しかし何をやってもいいのですが、
良いか? 悪いか? という評価が出てきます。
その評価は誰が出すのかというと、
聴いている人、共演している人、
そして何よりも自分です。
良いアドリブソロの時は誰もがみな
ニコニコになります。
リズムがはまって泉のように
音楽があふれ出し、
体中が喜びで満たされます。
こんな体験をしたら、
もうやめられなくなります。
その体験を得るためには、日々の練習です。
この本がその練習の参考になると嬉しいです。
この本では、アドリブをするための
ジャズの要素を書いたつもりです。
偉大なプレーヤーのソロを
まねるのも良いと思います。
でも、そのプレーヤーが
なぜそのようなソロを吹くのか
分析することも重要です。
サックスは豊かな音色、
大きな音、小さな音、速いパッセージなどが
容易に演奏できる楽器です。
オクターヴがキーひとつで
上下できますし、指遣いも同じです。
それ故にこんなに世界に広まりました。
1846年にアドルフ・サックスによって
発明された19世紀の大発明でしょう。
そんな素晴らしい楽器を自分のものとして、
空中に絵を描きましょう。
それがアドリブです。
中村 誠一
洗足学園音楽大学ジャズコース名誉教授
◆◇◆ 主な目次 ◆◇◆
☆ INTRODUCTION
楽器の特徴とセッティングの基本
* 楽器の持ち方と構え方
* まず楽器の特徴を理解しよう
・・・など
☆ CHAPTER1
ウォーミングアップと基本練習
* 練習方法を工夫して効率を上げよう
* ジャズらしいモチーフを練習しよう
・・・など
☆ CHAPTER2
いろいろなアドリブフレーズを覚えよう
* ブルーノートを理解しよう
* コードの感じ方<ペンタトニックを活用しよう>
・・・など
☆ CHAPTER3
アドリブのアイディアを広げよう
* 本番で悔いのない演奏をするためにしっかり準備しよう
* 楽に、自由にアドリブを吹くために
・・・など
☆ 私の LP HISTORY
* 心に残るLPとは
* テナーサックスの巨人の協演を聴こう
・・・など