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SD item code:11076072
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
Masami Orikasa (Supervisor)
 Original text before translation
折笠 雅美 (監修)
(42737)
JAN:9784780427370
|
(42737)
JAN:9784780427370
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
|---|
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Size: A5 (210mm x 148mm)
Number of pages: 128 Weight: 223g |
| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2023
Product tag: None
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Description
| * If you profile the humming, even a beginner can make [a whole song]. Even a beginner can make [a whole song]. * No need to know music theory! * A professional songwriting instructor will teach you "as much as you need to know". A professional songwriting instructor will collect and teach you the necessary knowledge in an easy-to-understand manner. * You can hum any tune that comes to your mind... * How long does it take? * What is the tempo? * How much is the tempo? Not bouncing? * Where do you want to flesh it out? * comments from the supervisor * To use this book, the first thing we ask you to prepare is your humming. In Chapter 1, we will take physical measurements of that humming. This will give objectivity to the humming. In Chapter 2, you will learn how to change the humming, and in Chapters 3 and 4, you will learn the basics of the code. In the following chapters 3 and 4, you will learn the basics of chords and how to apply them to humming. and how to apply them to humming, and their progressions. In chapters 3 and 4, you will learn the basics of chords, how to apply them to humming, and their progressions. In the last chapter, you will learn how to put together a song and In the last chapter, you will learn how to put together a song You will naturally acquire the ability to complete a song. This book is suitable even for those with no musical knowledge. This book is designed for people who have never played an instrument, read music, or even composed a piece of music. This is a book for those who have never played a musical instrument, read music, or even composed music. This is an introductory book to composing music. The music notation is provided for visual comprehension, but it is not necessary to be able to read it. but it is not necessary to be able to read music. The terminology is kept to a minimum. I have provided just what you need, in just the amount you need. So please don't worry if you are new to this. Please don't worry if this is your first time. Finally, "like is like," and I believe this is what matters in the end. I believe this is what is important in the end. For me, music is a job. There are times when I don't like it, and there are times when it is painful. But I continue to do it because I love music, and I love writing songs more than anything else. And I love writing songs more than anything else. I hope that all of you who have picked up this book will be able to enjoy music as much as I do. I am sure that everyone who has picked up this book I believe that everyone who picks up this book is interested in music as well. If you continue to hold on to that passion, you will surely be able to write songs. And I hope I can be of some help to you I would be happy if I could be of some help to you. Masami Orikasa * Main Contents * * Chapter 1. Profile My Melody [humming * What is the tempo (speed)? * Where is the head of the melody? * How many beats? * etc. * Chapter 2 Profile the [body*balance*of*the*melody*motif * Check the body*balance of the humming * Chop & join the notes & use pseudo-lyrics to create rhythm Bring changes to the rhythm by chopping notes & using pseudo-lyrics * Apply motifs by repetition *etc. * Chapter 3. Profile the code * Don't be afraid of codes. * What is a key anyway? * The relationship between keys and codes * etc. * Chapter 4. * Profiling chord progressions * J-POP royal road progression (canon progression) * Western Royal Road Progression [ C→G→Am→F ]. * J-POP royal road progression [ Am→F→G→C ]. * etc. * Chapter 5 Profile the finish as a song * A melody, B melody, chorus * The existence of D melody with magical power * How to join melodies this way and that * etc. |
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Even a beginner can make [a whole song].
* No need to know music theory!
* A professional songwriting instructor will teach you "as much as you need to know".
A professional songwriting instructor will collect and teach you the necessary knowledge in an easy-to-understand manner.
* You can hum any tune that comes to your mind... * How long does it take?
* What is the tempo?
* How much is the tempo? Not bouncing?
* Where do you want to flesh it out?
* comments from the supervisor *
To use this book, the first thing we ask you to prepare is your humming.
In Chapter 1, we will take physical measurements of that humming.
This will give objectivity to the humming.
In Chapter 2, you will learn how to change the humming, and in Chapters 3 and 4, you will learn the basics of the code.
In the following chapters 3 and 4, you will learn the basics of chords and how to apply them to humming.
and how to apply them to humming, and their progressions.
In chapters 3 and 4, you will learn the basics of chords, how to apply them to humming, and their progressions.
In the last chapter, you will learn how to put together a song and
In the last chapter, you will learn how to put together a song
You will naturally acquire the ability to complete a song.
This book is suitable even for those with no musical knowledge.
This book is designed for people who have never played an instrument, read music, or even composed a piece of music.
This is a book for those who have never played a musical instrument, read music, or even composed music.
This is an introductory book to composing music.
The music notation is provided for visual comprehension, but it is not necessary to be able to read it.
but it is not necessary to be able to read music.
The terminology is kept to a minimum.
I have provided just what you need, in just the amount you need.
So please don't worry if you are new to this.
Please don't worry if this is your first time.
Finally, "like is like," and I believe this is what matters in the end.
I believe this is what is important in the end.
For me, music is a job.
There are times when I don't like it, and there are times when it is painful.
But I continue to do it because I love music, and I love writing songs more than anything else.
And I love writing songs more than anything else.
I hope that all of you who have picked up this book will be able to enjoy music as much as I do.
I am sure that everyone who has picked up this book
I believe that everyone who picks up this book is interested in music as well.
If you continue to hold on to that passion, you will surely be able to write songs.
And I hope I can be of some help to you
I would be happy if I could be of some help to you.
Masami Orikasa
* Main Contents *
* Chapter 1.
Profile My Melody [humming
* What is the tempo (speed)?
* Where is the head of the melody?
* How many beats?
* etc.
* Chapter 2
Profile the [body*balance*of*the*melody*motif
* Check the body*balance of the humming
* Chop & join the notes & use pseudo-lyrics to create rhythm
Bring changes to the rhythm by chopping notes & using pseudo-lyrics
* Apply motifs by repetition
*etc.
* Chapter 3.
Profile the code
* Don't be afraid of codes.
* What is a key anyway?
* The relationship between keys and codes
* etc.
* Chapter 4.
* Profiling chord progressions
* J-POP royal road progression (canon progression)
* Western Royal Road Progression [ C→G→Am→F ].
* J-POP royal road progression [ Am→F→G→C ].
* etc.
* Chapter 5
Profile the finish as a song
* A melody, B melody, chorus
* The existence of D melody with magical power
* How to join melodies this way and that
* etc.
初心者でも「まるっと1曲」作れる。
★ 音楽理論がわからなくても大丈夫！
★ 作曲のプロが、「必要な知識を必要なだけ」
集めてムリなく伝授。
★ 思いついた鼻歌は…
＊ テンポはどのくらい？
＊ 音の跳ねてる？ 跳ねてない？
＊ どのあたりを肉付けする？
◆◇◆ 監修者からのコメント ◆◇◆
本書の使い方としては、まず、ご用意いただくのはあなたの鼻歌です。
第1章では、その鼻歌の身体測定を行います。
これにより鼻歌に客観性を持たせます。
第2章では、その鼻歌に変化をつける手法を学び、
続く第3章、4章では、コードについての基本と
鼻歌への応用方法、そしてその進行など、
具体的なコードの付け方をマスターしていきます。
最後の章でひとつの曲としてのまとめ方を学び、
曲を完成させるチカラが
自然と身についているという具合です。
本書は音楽知識ゼロでも大丈夫。
楽器を触ったこともない、楽譜なんか読めない、
ましてや作曲なんてしたことないという方々のための
作曲入門書です。
楽譜は視覚的に理解をするために用意をしましたが、
読める必要はありません。
専門用語も極力削いで、
必要な物を必要なだけ用意してありますから、
初めてでも心配しないで、
ぜひトライしてみてください。
最後に、「好きこそ物の上手なれ」。
結局大事なのはこういうことだと思っています。
私にとって音楽は仕事なので、
嫌なこともありますし、苦しいこともあります。
それでも継続しているのは、音楽が好き、
そして曲を作ることが何よりも好きだからです。
本書を手に取っていただいた皆さんは、
やはり同じように音楽が好きで、
興味を持っている方々だと思います。
その想いを持ち続ければ、必ず曲は作れます。
そして、皆さんの「自分の曲を作る」ことに
少しでもお力添えができれば幸いです。
折笠 雅美
◆◇◆ 主な目次 ◆◇◆
☆ 第1章
マイメロディ「鼻歌」をプロファイルする
＊ どれくらいのテンポ（スピード）なのか？
＊ メロディの頭がどこなのか？
＊ 何ビートなのか？
・・・など
☆ 第2章
メロディ・モチーフの「ボディ・バランス」をプロファイルする
＊ 鼻歌のボディ・バランスをチェックする
＊ 音を刻んでつなげる&仮歌詞でリズムに
変化をもたらそう
＊ 反復によるモチーフの応用
・・・など
☆ 第3章
コードをプロファイルする
＊ コードなんて怖くない
＊ そもそもキーって何？
＊ キーとコードの関係
・・・など
☆ 第4章
＊ コード展開をプロファイルする
＊ J-POP 王道進行（カノン進行）
＊ 洋楽王道進行[ C→G→Am→ F ]
＊ J-POP 王道進行[ Am→F→G→ C ]
・・・など
☆ 第5章
曲としての仕上げをプロファイルする
＊ A メロ、B メロ、サビ
＊ 魔力を持つDメロの存在
＊ メロディのつなぎ方あれこれ
・・・など