Vendor Profile
SEIGENSHA Art Publishing
| Address | 9-1 Umetadacho Kyotoshinakagyokukarasumahigashiiru Kyoto, JAPAN ZIP:604-8136 |
|---|---|
| Representative Name | MAKOTO KATAYAMA |
| Annual Revenue | closed |
| No. of Employees | 24 |
| Web Site URL | |
| SNS |
Other items from this category
Art/Design Magazine Book
SD item code:11791063
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
Edited by The National Museum of Modern Art, Kyoto
The Museum of Fine Arts, Gifu
Okayama Prefectural Art Museum
Kikuchi Kansei Memorial Chichi Art Museum
Art Direction: Eiji Ueda
Language: English/Japanese
 Original text before translation
編著：京都国立近代美術館
岐阜県美術館
岡山県立美術館
菊池寛実記念 智美術館
アートディレクション：上田英司
言語： 日英併記
(922)
|
(922)
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| Dimensions |
|---|
|
B5 size*, 424 pages
|
| Specifications |
|---|
|
Country of manufacture: Japan
Material / component: Paper
Product tag: None
|
Description
| Souryosha was an avant-garde ceramics group that led the postwar ceramic art world. The exhibition looks back on the 25 years that the group remained "avant-garde" by producing "ceramic objects", The exhibition looks back on their 25 years of "avant-garde" activities by presenting approximately 180 works and 200 materials such as photographs and direct mail. In 1948, soon after the end of World War II, Kazuo Yagi, Tetsuo Kano, Hikaru Yamada, Misuke Matsui, and Osamu Suzuki formed the avant-garde ceramic artists' group Souryosha. This book was produced in response to an exhibition focusing on the first 25 years of their 50-year activity. At a time when the values of society were greatly shaken, these young potters were able to make pottery objects independent as contemporary forms. Furthermore, the International Exhibition of Contemporary Ceramic Art (1964) provided an opportunity for the members of the Souryosha group to become aware of international ceramic expression and to change their avant-garde style. This book contains approximately 180 works by artists of the Shikoukai and other avant-garde ceramic artists who were active in the movement at the same time as the Shiryosha. The book also includes a chronology and over 200 photographs and exhibition directories from that period. The book looks back over the 25 years that Soryosha ran and considers what kind of presence the company had in the movements of its time. Contents: Chapter 1 Chapter 1: The Beginning of Avant-garde Ceramics: The Formation of the Soriyosha and Its Surroundings (to 1954) Chapter 2: The Birth and Development of Object Ceramics (1955-1963) Chapter 3: After the International Exhibition of Contemporary Ceramics (1964-73) |
More
| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.30th to Aug.2nd |
| Air Mail | From May.14th to May.16th |
| EMS | From May.13th to May.16th |
| Pantos Express | From May.15th to May.20th |
| DHL | From May.13th to May.15th |
| UPS | From May.13th to May.15th |
| FedEx | From May.13th to May.15th |
|
Some trading conditions may be applicable only in Japan.
*Important Notice
Under the resale price maintenance system, publishers are legally allowed to specify the selling price of their books. We ask that your company also adhere to the sales price specified by us. In the unlikely event that you fail to do so, we will discontinue our business with you. We ask for your understanding in advance. |
Other items from this category:
The exhibition looks back on the 25 years that the group remained "avant-garde" by producing "ceramic objects",
The exhibition looks back on their 25 years of "avant-garde" activities by presenting approximately 180 works and 200 materials such as photographs and direct mail.
In 1948, soon after the end of World War II, Kazuo Yagi, Tetsuo Kano, Hikaru Yamada, Misuke Matsui, and Osamu Suzuki formed the avant-garde ceramic artists' group Souryosha. This book was produced in response to an exhibition focusing on the first 25 years of their 50-year activity.
At a time when the values of society were greatly shaken, these young potters were able to make pottery objects independent as contemporary forms. Furthermore, the International Exhibition of Contemporary Ceramic Art (1964) provided an opportunity for the members of the Souryosha group to become aware of international ceramic expression and to change their avant-garde style. This book contains approximately 180 works by artists of the Shikoukai and other avant-garde ceramic artists who were active in the movement at the same time as the Shiryosha. The book also includes a chronology and over 200 photographs and exhibition directories from that period. The book looks back over the 25 years that Soryosha ran and considers what kind of presence the company had in the movements of its time.
Contents: Chapter 1
Chapter 1: The Beginning of Avant-garde Ceramics: The Formation of the Soriyosha and Its Surroundings (to 1954)
Chapter 2: The Birth and Development of Object Ceramics (1955-1963)
Chapter 3: After the International Exhibition of Contemporary Ceramics (1964-73)