Vendor Profile
Osaka University Press
| Address | Osaka University West Front Ymadaoka2-7 Suita-shi Osaka, JAPAN ZIP:565-0871 |
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| Representative Name | MITSUNARI KENJI |
| Annual Revenue | closed |
| No. of Employees | 7 |
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SD item code:12073877
| Detail | Price & Quantity | ||
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| S1 |
Proust, Acceptance and Creation
 Original text before translation
プルースト 受容と創造
(978-4-87259-717-2)
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(978-4-87259-717-2)
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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A5 size, 400 pages
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| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Package: Individual Packaging
Year of manufacture: 2020
Product tag: None
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Description
| Akio Wada The trajectory of his absorption of literature*painting*music and its sublimation into literature. In "In Search of Lost Time," which developed out of his literary criticism "Against Sainte-Beuve," many real and unique names appear, including the Dreyfus Affair, World War I, Rembrandt, Vermeer, Chopin, Wagner, and Beethoven, and the book is an encyclopedia of literature and art. How did Proust accept the literature and art of the past and his contemporaries, and how did he transform them into creations before establishing his originality as a theory of literature and art in the form of fiction? This book examines Proust's critical discourse relatively from a vast amount of primary sources, including drafts, letters, and newspaper and magazine articles, and places it once again in the historical context. |
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| Shipping Method | Estimated Arrival |
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| Sea Mail | From Jun.3rd to Aug.6th |
| Air Mail | From May.16th to May.20th |
| EMS | From May.15th to May.20th |
| Pantos Express | From May.17th to May.22nd |
| DHL | From May.15th to May.17th |
| UPS | From May.15th to May.17th |
| FedEx | From May.15th to May.17th |
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Some trading conditions may be applicable only in Japan. |
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The trajectory of his absorption of literature*painting*music and its sublimation into literature.
In "In Search of Lost Time," which developed out of his literary criticism "Against Sainte-Beuve," many real and unique names appear, including the Dreyfus Affair, World War I, Rembrandt, Vermeer, Chopin, Wagner, and Beethoven, and the book is an encyclopedia of literature and art. How did Proust accept the literature and art of the past and his contemporaries, and how did he transform them into creations before establishing his originality as a theory of literature and art in the form of fiction? This book examines Proust's critical discourse relatively from a vast amount of primary sources, including drafts, letters, and newspaper and magazine articles, and places it once again in the historical context.