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Osaka University Press
| Address | Osaka University West Front Ymadaoka2-7 Suita-shi Osaka, JAPAN ZIP:565-0871 |
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SD item code:13830428
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Matsumoto Bokuzan, ink painter who paints the world (Osaka University Museum Series 23)
 Original text before translation
世界を描く水墨画家 松本奉山（大阪大学総合学術博物館叢書23）
(978-4-87259-822-3)
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(978-4-87259-822-3)
Wholesale Price: Members Only
1 pc /set
In Stock
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| Shipping Date |
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About 10 days
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| Dimensions |
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A4*94 pages
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Country of manufacture: Japan
Material / component: Paper
Package: Individual Packaging
Year of manufacture: 2025
Product tag: None
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Description
| Edited by Shoko Haseyama Edited and written by Setsuya Hashizume [Dynamism in a Quiet Painting: The World of Bongsan Matsumoto, a Distinctive Suiboku Painter A special exhibition of the Osaka University Museum of Arts and Sciences commemorating the 100th anniversary of the birth of Bongsan Matsumoto (1925-2010), a female ink painting artist born in Imabari City, Ehime Prefecture, who painted her own unique world in ink painting, is being held at the museum ( The catalogue of the special exhibition [Matsumoto Bokuzan: Painting the World in Suiboku-ga] ( 2025.04.26 - 2025.06.28) at the Osaka University Museum of Arts. After moving to Kobe, Matsumoto Bokuzan became an apprentice of ink and wash painter* Matsumoto Shozan at the age of 16, and began his career in painting. In 1963, at the age of 37, he made his first visit to the U.S., where he opened up a new frontier in painting. The urban landscape blending with nature and people living freely among skyscrapers - the scenery he saw in the U.S. greatly inspired him, and his talent blossomed at once. His painting style shifted from blackened, detailed depictions to a lighter, simplified style in his later years. His paintings, which Bongsan himself called "quiet paintings," have a sharpened spirit and a certain strength. After his first visit to the U.S., he traveled to Australia, New Zealand, European countries, Brazil, Turkey, etc., painting local landscapes and giving demonstrations to local people to spread the new ink painting style. At the same time, he was fascinated by the serene scenery of Lake Biwa, Kamakura, the Imperial Palace, the Shimanto River, and the Seto Inland Sea in his hometown, and published a series of works in newspapers and other media. Although Bongsan was active internationally, his work is known only to a few, as he did not belong to any large art organizations and did not exhibit in group shows, in accordance with his teacher's wishes. The book is profusely illustrated and includes numerous essays and columns by experts from inside and outside the museum. By examining Bongsan from a variety of perspectives, this book reexamines his position in art history. |
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| Shipping Method | Estimated Arrival |
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| Sea Mail | From Jan.14th 2026 to Mar.18th 2026 |
| Air Mail | From Dec.29th 2025 to Dec.31st 2025 |
| EMS | From Dec.26th 2025 to Dec.31st 2025 |
| Pantos Express | From Dec.30th 2025 to Jan.2nd 2026 |
| DHL | From Dec.26th 2025 to Dec.30th 2025 |
| UPS | From Dec.26th 2025 to Dec.30th 2025 |
| FedEx | From Dec.26th 2025 to Dec.30th 2025 |
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Book
Edited and written by Setsuya Hashizume
[Dynamism in a Quiet Painting: The World of Bongsan Matsumoto, a Distinctive Suiboku Painter
A special exhibition of the Osaka University Museum of Arts and Sciences commemorating the 100th anniversary of the birth of Bongsan Matsumoto (1925-2010), a female ink painting artist born in Imabari City, Ehime Prefecture, who painted her own unique world in ink painting, is being held at the museum ( The catalogue of the special exhibition [Matsumoto Bokuzan: Painting the World in Suiboku-ga] ( 2025.04.26 - 2025.06.28) at the Osaka University Museum of Arts.
After moving to Kobe, Matsumoto Bokuzan became an apprentice of ink and wash painter* Matsumoto Shozan at the age of 16, and began his career in painting. In 1963, at the age of 37, he made his first visit to the U.S., where he opened up a new frontier in painting. The urban landscape blending with nature and people living freely among skyscrapers - the scenery he saw in the U.S. greatly inspired him, and his talent blossomed at once. His painting style shifted from blackened, detailed depictions to a lighter, simplified style in his later years. His paintings, which Bongsan himself called "quiet paintings," have a sharpened spirit and a certain strength. After his first visit to the U.S., he traveled to Australia, New Zealand, European countries, Brazil, Turkey, etc., painting local landscapes and giving demonstrations to local people to spread the new ink painting style. At the same time, he was fascinated by the serene scenery of Lake Biwa, Kamakura, the Imperial Palace, the Shimanto River, and the Seto Inland Sea in his hometown, and published a series of works in newspapers and other media. Although Bongsan was active internationally, his work is known only to a few, as he did not belong to any large art organizations and did not exhibit in group shows, in accordance with his teacher's wishes.
The book is profusely illustrated and includes numerous essays and columns by experts from inside and outside the museum. By examining Bongsan from a variety of perspectives, this book reexamines his position in art history.