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SEIGENSHA Art Publishing
| Address | 9-1 Umetadacho Kyotoshinakagyokukarasumahigashiiru Kyoto, JAPAN ZIP:604-8136 |
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| Representative Name | MAKOTO KATAYAMA |
| Annual Revenue | closed |
| No. of Employees | 24 |
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SD item code:6151066
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| S1 |
Author:Eikoh Hosoe
 Original text before translation
著者：細江英公
(208)
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(208)
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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B4 Size
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Country of manufacture: Japan
Material / component: Paper
Product tag: None
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Description
| The masterpiece "Kamaitachi" was born through the intense collaboration between photographer Eikoh Hosoe and Butoh founder Tatsumi Hijikata. Kamaitachi" is a masterpiece born from the intense collaboration between Eikoh Hosoe, photographer, and Tatsumi Hijikata, founder of Butoh dance. The performance was set in the Sugamo Togenuki Jizo, Katsushika neighborhood, and traditional Tatsumi Hijikata vividly unfolded his performance in the Sugamo Togenuki Jizo, Katsushika area, and the traditional rural landscape of Akita. The ripples created by his encounters with people, and the soul and body of Tatsumi Hijikata running at full speed, resonate with him. Hosoe's gaze deepens the sensuality of the land and the orgasm of life and death while resonating with the soul and body of Tatsumi Hijikata, who is running at full speed. Here, the original landscape and memories of Japan are burned in monochrome. For more than half a century, Eikoh Hosoe has been seeking to express his inner consciousness His unique visual aesthetics have earned him international acclaim. In "Otoko to Onna" (Male and Female), which was released in 1960, during the tumultuous period of the National Security Treaty, Hosoe opened up the body to the naked object and depicted the drama of the antagonism between the two sexes with vivid contrasts. At the same time, he presented "The Punishment of the Rose," a work in which he constructed a baroque aesthetic space as the subject. His collaboration with Tatsumi Hijikata once again bore fruit in the immortal masterpiece Kamaitachi. The original [Kamaitachi] was published by Gendai Shichosha in 1969. In 2005, a complete reprint (Seigensha/limited edition of 500 copies) was published. This book has selected eight more unpublished works and added them here. Dance: Tatsumi Hijikata Preface Text: Shuzo Takiguchi Essay Writing:Donald*Keene Poem: Toyoichiro Miyoshi Kamaitachi's praise: Mutsuro Takahashi Book Design: Ikko Tanaka |
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| Shipping Method | Estimated Arrival |
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| Sea Mail | From Jun.12th to Aug.16th |
| Air Mail | From May.27th to May.29th |
| EMS | From May.24th to May.29th |
| Pantos Express | From May.28th to May.31st |
| DHL | From May.24th to May.28th |
| UPS | From May.24th to May.28th |
| FedEx | From May.24th to May.28th |
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Kamaitachi" is a masterpiece born from the intense collaboration between Eikoh Hosoe, photographer, and Tatsumi Hijikata, founder of Butoh dance.
The performance was set in the Sugamo Togenuki Jizo, Katsushika neighborhood, and traditional
Tatsumi Hijikata vividly unfolded his performance in the Sugamo Togenuki Jizo, Katsushika area, and the traditional rural landscape of Akita.
The ripples created by his encounters with people, and the soul and body of Tatsumi Hijikata running at full speed, resonate with him.
Hosoe's gaze deepens the sensuality of the land and the orgasm of life and death while resonating with the soul and body of Tatsumi Hijikata, who is running at full speed.
Here, the original landscape and memories of Japan are burned in monochrome.
For more than half a century, Eikoh Hosoe has been seeking to express his inner consciousness
His unique visual aesthetics have earned him international acclaim.
In "Otoko to Onna" (Male and Female), which was released in 1960, during the tumultuous period of the National Security Treaty, Hosoe opened up the body to the naked object and depicted the drama of the antagonism between the two sexes with vivid contrasts.
At the same time, he presented "The Punishment of the Rose," a work in which he constructed a baroque aesthetic space as the subject.
His collaboration with Tatsumi Hijikata once again bore fruit in the immortal masterpiece Kamaitachi.
The original [Kamaitachi] was published by Gendai Shichosha in 1969.
In 2005, a complete reprint (Seigensha/limited edition of 500 copies) was published.
This book has selected eight more unpublished works and added them here.
Dance: Tatsumi Hijikata
Preface
Text: Shuzo Takiguchi
Essay
Writing:Donald*Keene
Poem: Toyoichiro Miyoshi
Kamaitachi's praise: Mutsuro Takahashi
Book Design: Ikko Tanaka
写真家・細江英公と舞踏の創始者・土方巽との濃密なコラボレーションにより 誕生した名作『鎌鼬』。
巣鴨とげぬき地蔵、葛飾界隈、そして秋田の伝統的な 農村風景を舞台に、土方巽はパフォーマンスを鮮烈に繰り広げた。
人々との遭遇によって生じる波紋、そして疾走する土方巽の魂と肉体に 共振しながら、風土への官能、生と死のオルガズムを深めていく細江の眼差し。
ここに、日本の原風景と記憶はモノクロームで焼き付けられた。
細江英公は半世紀余にわたり、自己の内面的な意識を写真として 表現することを探求し続け、独自の映像美学は国際的な評価を得ている。
安保闘争に揺れる1960年に発表した『おとこと女』では肉体を裸形のオブジェにまで開放し、二つの性の拮抗するドラマを鮮烈なコントラストで描出。
このとき被写体としてバロック的な耽美空間を構築した『薔薇刑』を発表。
そして再び土方巽とのコラボレーションが結実し、不朽の名作『鎌鼬』を生んだ。
原本『鎌鼬』は1969年に現代思潮社より出版された。
2005年には完全復刻版（青幻舎／500部限定）が刊行された。
本書は、さらに8点の未発表作品を選び出し、ここに追加した。
舞 踏：土方巽 序
文：瀧口修造 随
筆：ドナルド・キーン
詩：三好豊一郎
鎌鼬賛：高橋睦郎
造 本：田中一光