Vendor Profile
GENKOSHA PUBLISHING CO.,LTD.
| Address | 4-1-5 IIDABASHI CHIYODA-KU Tokyo, JAPAN ZIP:102-8716 |
|---|---|
| Representative Name | hiroshi kitahara |
| Annual Revenue | closed |
| No. of Employees | closed |
| Web Site URL |
SD item code:8284368
| Detail | Price & Quantity | ||
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| S1 |
Photography Book
 Original text before translation
図解・実践 新版 映像ライティング
(554)
JAN:978-4-7683-0554-6
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(554)
JAN:978-4-7683-0554-6
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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A4 size, 112 pages
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| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2014
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Description
| The biggest difference between [photographic lighting] and [video lighting]... The biggest difference between [photographic lighting] and [video lighting]... is the difference between [instantaneous light] and [light that captures a series of actions in a flow]. [Photographic lighting techniques cannot be used in video lighting, which is based on the premise that the camera angle changes, the subject moves, and the light conditions change from moment to moment. This book is a "lighting textbook" written by an active lighting technician that explains the fundamentals of this uniquely evolved "video lighting" method and leads you to its application. Although cameras have become more sensitive and there are more and more opportunities to shoot video using only ground light in the field, lighting has never become unnecessary. The reason is that lighting is not used simply to compensate for underexposure. Video lighting can express time and seasons on the screen. It can reveal the texture of objects. It can also convey a sense of depth, three-dimensionality, and even emotion. In addition, there is no light in a dark night or in a pitch-black basement, but images can be captured there because [there is] the visual lighting of the absence of light. This one example illustrates that lighting is not magic, but a specific technique that goes beyond that. In this book, from basic lighting for video and its examples, the author will illustrate and reveal specific lighting methods that are useful in practice, such as variations of lighting for actual video scenes, lighting for each indoor*location, shooting pseudo-night scenes and daytime scenes at night, and more. [This new edition of "Lighting for Video" is a must-have for all students of film and video, especially those who aim for professional careers in directing and cinematography. |
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| Shipping Method | Estimated Arrival |
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| Sea Mail | From May.29th to Aug.1st |
| Air Mail | From May.13th to May.15th |
| EMS | From May.10th to May.15th |
| Pantos Express | From May.14th to May.17th |
| DHL | From May.10th to May.14th |
| UPS | From May.10th to May.14th |
| FedEx | From May.10th to May.14th |
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Other items from this category:
[Photographic lighting techniques cannot be used in video lighting, which is based on the premise that the camera angle changes, the subject moves, and the light conditions change from moment to moment.
This book is a "lighting textbook" written by an active lighting technician that explains the fundamentals of this uniquely evolved "video lighting" method and leads you to its application.
Although cameras have become more sensitive and there are more and more opportunities to shoot video using only ground light in the field, lighting has never become unnecessary.
The reason is that lighting is not used simply to compensate for underexposure. Video lighting can express time and seasons on the screen. It can reveal the texture of objects. It can also convey a sense of depth, three-dimensionality, and even emotion.
In addition, there is no light in a dark night or in a pitch-black basement, but images can be captured there because [there is] the visual lighting of the absence of light.
This one example illustrates that lighting is not magic, but a specific technique that goes beyond that.
In this book, from basic lighting for video and its examples, the author will illustrate and reveal specific lighting methods that are useful in practice, such as variations of lighting for actual video scenes, lighting for each indoor*location, shooting pseudo-night scenes and daytime scenes at night, and more.
[This new edition of "Lighting for Video" is a must-have for all students of film and video, especially those who aim for professional careers in directing and cinematography.
この独自に進化した「映像ライティング」の方法を基礎から解き明かし、応用へと導く、現役照明技師が書いた「照明の教科書」が本書です。
理由は、ライティングが単に露出不足を補うだけの目的で使われているのではないからです。映像ライティングでは、画面に時間や季節を表現することができます。モノの質感を明らかにすることができます。さらに奥行き感や立体感、感情までもを伝えることができるのです。
また、闇夜や真っ暗な地下室には光が存在しませんが、そこでも映像が撮れるのは、「光がないという映像ライティングが存在する」からです。
ライティングはマジックではなく、それを超える具体的な技術であることを、この一例は物語っています。
「新版 映像ライティング」は、映像を志す学生の皆さん、特に演出や撮影といった専門職を目指す方に必見の「ライティングをマスターするための作例豊富な実践テキスト」です。