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Shoeisha Co., Ltd.

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By Pixar* Layout Artists
A must-read for everyone who wants to learn how to communicate through images.

Through TikTok and YouTube, the demand*supply for video production continues to increase on the global stage. In these days when the boundary between amateur and professional filmmakers is blurred, knowledge of video production is an important element for a wide range of people in order to create and deliver attractive video content.
This book is a major exposition of storytelling methods to attract audiences* through video. It provides a comprehensive introduction to the core skills needed to visually realize ideas in 101 TIPS.

Recommended for
*People who want to efficiently acquire the expertise necessary for video production.
*People who want to improve the quality of video content they are producing as a hobby.
*Want to create video ads that stop viewers in their tracks and reach them.
*People who want to learn the know-how taught by professionals from the very beginning.

Sung-Yeon Kim
Senior Layout Artist at Disney*Pixar Animation Studios. 2012-2012, participated in the production of about 10 feature animations such as [Seoul], [Luka], [Coco], [Toy*Story 4], [Finding*Dory], and now as the first Korean Senior Layout Artist, he is working on various projects. He is currently in charge of various projects as the first Korean senior layout artist.

This book is a Japanese translation of [영상 연출법 101 관객의 마음을 사로잡는].

Table of Contents (excerpt)
001 Once you start, think about the goal
011 The rhythm of the image changes the genre
014 Every shot should have a purpose
020 Basic Editing Theory #02: Stop in the middle of movement
030 Be sensitive to [line] in the screen
034 Unbalanced screen linked to emotion
039 Easy and Speedy Prescription Pills #03: Contrasting Complexities
051 Emotion conveyed by side shots
062 Cutting out the unseen so that it can be associated with the unseen
066 How to compress the flow of time into seconds
081 Long enough to receive emotion or information?
093 Adjust the Sound if the Editing Seems Stiff
099 Lighting to arouse curiosity

SD item code:12912557

Detail Price & Quantity
S1
Kim*Sung-Yeon Original Translated by Nato Inokawa
キム・ソンヨン 原著 猪川 なと 翻訳
(187040)
JAN:9784798187044
(187040) JAN:9784798187044

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Details
Item added on: 2024/11/14
Shipping Date
About 1 week
Dimensions
Format:46
Number of pages: 208
Specifications
Country of manufacture: Japan
Material / component: Format:Book (paper)
Year of manufacture: 2024
Product tag: None

Description

By Pixar* Layout Artists
A must-read for everyone who wants to learn how to communicate through images.

Through TikTok and YouTube, the demand*supply for video production continues to increase on the global stage. In these days when the boundary between amateur and professional filmmakers is blurred, knowledge of video production is an important element for a wide range of people in order to create and deliver attractive video content.
This book is a major exposition of storytelling methods to attract audiences* through video. It provides a comprehensive introduction to the core skills needed to visually realize ideas in 101 TIPS.

Recommended for
*People who want to efficiently acquire the expertise necessary for video production.
*People who want to improve the quality of video content they are producing as a hobby.
*Want to create video ads that stop viewers in their tracks and reach them.
*People who want to learn the know-how taught by professionals from the very beginning.

Sung-Yeon Kim
Senior Layout Artist at Disney*Pixar Animation Studios. 2012-2012, participated in the production of about 10 feature animations such as [Seoul], [Luka], [Coco], [Toy*Story 4], [Finding*Dory], and now as the first Korean Senior Layout Artist, he is working on various projects. He is currently in charge of various projects as the first Korean senior layout artist.

This book is a Japanese translation of [영상 연출법 101 관객의 마음을 사로잡는].

Table of Contents (excerpt)
001 Once you start, think about the goal
011 The rhythm of the image changes the genre
014 Every shot should have a purpose
020 Basic Editing Theory #02: Stop in the middle of movement
030 Be sensitive to [line] in the screen
034 Unbalanced screen linked to emotion
039 Easy and Speedy Prescription Pills #03: Contrasting Complexities
051 Emotion conveyed by side shots
062 Cutting out the unseen so that it can be associated with the unseen
066 How to compress the flow of time into seconds
081 Long enough to receive emotion or information?
093 Adjust the Sound if the Editing Seems Stiff
099 Lighting to arouse curiosity

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