Vendor Profile
SEIGENSHA Art Publishing
| Address | 9-1 Umetadacho Kyotoshinakagyokukarasumahigashiiru Kyoto, JAPAN ZIP:604-8136 |
|---|---|
| Representative Name | MAKOTO KATAYAMA |
| Annual Revenue | closed |
| No. of Employees | 24 |
| Web Site URL | |
| SNS |
People Also Searched
Other items from this category
SD item code:9726508
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
Author: Daisuke Tsuda, Oriza Hirata
 Original text before translation
著者： 津田大介、平田オリザ
(834)
|
(834)
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| Dimensions |
|---|
|
B6/208 pages
|
| Specifications |
|---|
|
Country of manufacture: Japan
Material / component: Paper * ordinary
Product tag: None
|
Description
| Daisuke Tsuda and Oriza Hirata discuss the problems and possibilities of [culture and art] in Japan In recent years, various issues have arisen in the field of culture and art. This book consists of a dialogue between playwright*Hirata Oriza, who presides over the theater company [Seinendan] and is active in Japan and abroad, and journalist*Tsuda Daisuke, who served as artistic director of the [Aichi Triennale 2019]. Both leading figures in the world of theater and journalism will fully discuss the issues and possibilities of [Nippon no Bunka Geijutsu]. [What was the problem with the controversial "Aitori" at the "Freedom of Expression" exhibition? What are the weaknesses of cultural policy exposed by the Corona crisis? The Science Council issue is connected not only to [academic freedom] but also to [freedom of expression]. ...... Starting with culture and the arts, we will question the path that Japan should take in the future, including Japanese politics, the Trump phenomenon, strategies for local regions to survive, and the with Corona era. Chapter 2: Japan's Cultural Policy Cultural Policy in Japan Cultural Policy in Japan Cultural Policy in Japan Chapter 3: Local Regions and the Potential of Art ; Chapter 4: The Aichi Triennale is the First in Japan Chapter 4 What the Aichi Triennale Aimed to Achieve Chapter 5 The New Corona Crisis and Culture and the Arts Chapter 5 The New Corona Crisis and the Future of Culture and the Arts Chapter 6 The New Corona Crisis and the Future of Culture and the Arts Daisuke Tsuda Born in Tokyo in 1973; Born in Tokyo in 1973. Journalist and media activist. Editor-in-Chief of Politas. Artistic director of Aichi Triennale 2019. Oriza Hirata Born in Tokyo, 1962. Playwright and director. He is the president of Seinendan Theater Company. |
More
| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.30th to Aug.2nd |
| Air Mail | From May.14th to May.16th |
| EMS | From May.13th to May.16th |
| Pantos Express | From May.15th to May.20th |
| DHL | From May.13th to May.15th |
| UPS | From May.13th to May.15th |
| FedEx | From May.13th to May.15th |
|
Some trading conditions may be applicable only in Japan.
*Important Notice
Under the resale price maintenance system, publishers are legally allowed to specify the selling price of their books. We ask that your company also adhere to the sales price specified by us. In the unlikely event that you fail to do so, we will discontinue our business with you. We ask for your understanding in advance. |
People Also Searched:
artOther items from this category:
In recent years, various issues have arisen in the field of culture and art. This book consists of a dialogue between playwright*Hirata Oriza, who presides over the theater company [Seinendan] and is active in Japan and abroad, and journalist*Tsuda Daisuke, who served as artistic director of the [Aichi Triennale 2019]. Both leading figures in the world of theater and journalism will fully discuss the issues and possibilities of [Nippon no Bunka Geijutsu]. [What was the problem with the controversial "Aitori" at the "Freedom of Expression" exhibition? What are the weaknesses of cultural policy exposed by the Corona crisis? The Science Council issue is connected not only to [academic freedom] but also to [freedom of expression]. ...... Starting with culture and the arts, we will question the path that Japan should take in the future, including Japanese politics, the Trump phenomenon, strategies for local regions to survive, and the with Corona era.
Chapter 2: Japan's Cultural Policy Cultural Policy in Japan Cultural Policy in Japan Cultural Policy in Japan
Chapter 3: Local Regions and the Potential of Art ; Chapter 4: The Aichi Triennale is the First in Japan
Chapter 4 What the Aichi Triennale Aimed to Achieve Chapter 5 The New Corona Crisis and Culture and the Arts
Chapter 5 The New Corona Crisis and the Future of Culture and the Arts Chapter 6 The New Corona Crisis and the Future of Culture and the Arts
Daisuke Tsuda Born in Tokyo in 1973;
Born in Tokyo in 1973. Journalist and media activist. Editor-in-Chief of Politas. Artistic director of Aichi Triennale 2019.
Oriza Hirata
Born in Tokyo, 1962. Playwright and director. He is the president of Seinendan Theater Company.