Vendor Profile
SEIGENSHA Art Publishing
| Address | 9-1 Umetadacho Kyotoshinakagyokukarasumahigashiiru Kyoto, JAPAN ZIP:604-8136 |
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| Representative Name | MAKOTO KATAYAMA |
| Annual Revenue | closed |
| No. of Employees | 24 |
| Web Site URL | |
| SNS |
SD item code:5202436
| Detail | Price & Quantity | ||
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| S1 |
Uemura pine garden
 Original text before translation
上村松園
(068)
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(068)
Wholesale Price: Members Only
1 pc /set
In Stock
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| Shipping Date |
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About 1 week
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| Dimensions |
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A6 size/32 leaves Postcard book
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| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Product tag: None
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Description
| While it is not surprising that Shoen's paintings of beautiful women originated in ukiyoe, she also began to seek her concepts in the world of Noh drama, and her work became a part of the Noh theatre. Shoen's painting style was on an unchangeable trajectory throughout her life. Her representative works such as [Kinuta], [Sogarai Komachi], [Shizuka], and [Kaen] are based on Noh plays, but she set the period in the mid-Edo period to avoid the embodiment of real life. The artist probably set the period in the middle of the Edo period and avoided the embodiment of real life. (omission) "Flower of Life," which gave birth to Shoen's original expression [Flower of Life," which gave birth to Shoen's original expression, seems to have been born out of a woman's abandonment of one of the most important aspects of female happiness. Shoen's portrayal of women is resolute on the inside, yet beautiful and gentle on the outside. (omitted). In her later years, she painted the lives of ordinary women because the image of her mother had finally been sublimated into her image. The image of her mother was finally sublimated in her image and became her existence. Atsuyuki Uemura (Japanese-style painter, member of the Japan Art Academy) - excerpt from the preface |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Jul.2nd 2025 to Sep.3rd 2025 |
| Air Mail | From Jun.16th 2025 to Jun.18th 2025 |
| EMS | From Jun.13th 2025 to Jun.18th 2025 |
| Pantos Express | From Jun.17th 2025 to Jun.20th 2025 |
| DHL | From Jun.13th 2025 to Jun.17th 2025 |
| UPS | From Jun.13th 2025 to Jun.17th 2025 |
| FedEx | From Jun.13th 2025 to Jun.17th 2025 |
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Some trading conditions may be applicable only in Japan.
*Important Notice Books are subject to the resale price maintenance system, which allows publishers to specify the selling price by law. We ask that your company also adhere to the sales price specified by us. If you fail to do so, we will terminate the transaction. We ask for your understanding in advance.
*Delivery of pre-order items If you place an order for pre-order items together with other books, we will basically put them all on hold at the same time and ship them together after the pre-order items are back in stock. *If you wish to have only the other books shipped first, please contact us by message. [Exceptions]. If the total order amount for both the reserved items and the other books exceeds the shipping lot, we will ship the other books first with the earliest possible delivery date. |
Other items from this category:
Shoen's painting style was on an unchangeable trajectory throughout her life.
Her representative works such as [Kinuta], [Sogarai Komachi], [Shizuka], and [Kaen] are based on Noh plays, but she set the period in the mid-Edo period to avoid the embodiment of real life.
The artist probably set the period in the middle of the Edo period and avoided the embodiment of real life. (omission) "Flower of Life," which gave birth to Shoen's original expression
[Flower of Life," which gave birth to Shoen's original expression, seems to have been born out of a woman's abandonment of one of the most important aspects of female happiness.
Shoen's portrayal of women is resolute on the inside, yet beautiful and gentle on the outside. (omitted).
In her later years, she painted the lives of ordinary women because the image of her mother had finally been sublimated into her image.
The image of her mother was finally sublimated in her image and became her existence. Atsuyuki Uemura (Japanese-style painter, member of the Japan Art Academy) - excerpt from the preface
松園の画道は終生変わる事のなかった軌道にのる。
「砧」「草紙洗小町」「静」「焔」など代表作は能楽に取題したものであるが時代を江戸中期に
設定し現実生活の具現を避けたのであろう。（中略）松園独自の表現を生むきっかけとなった
「人生の花」は女の幸せの一つを捨てた心情から生まれたものと思われる。
松園の描く女性像は内に毅然たるものを持ちながら外面はいかにも美しく優しい。（中略）
晩年になって市井の女性の生活を描いたのはようやく母親の面影がイメージのなかに昇華された
存在となったと語っている。上村淳之（日本画家・日本芸術院会員）−序文より抜粋−