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SEIGENSHA Art Publishing
| Address | 9-1 Umetadacho Kyotoshinakagyokukarasumahigashiiru Kyoto, JAPAN ZIP:604-8136 |
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| Representative Name | MAKOTO KATAYAMA |
| Annual Revenue | closed |
| No. of Employees | 24 |
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SD item code:5202449
| Detail | Price & Quantity | ||
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| S1 |
Katsushika Hokusai
 Original text before translation
葛飾北斎
(303)
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(303)
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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A6 size/32 leaves Postcard book
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| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Product tag: None
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Description
| Hokusai is said to have acquired not only the so-called traditional Japanese Yamato-e technique Hokusai is said to have acquired various techniques, not only the so-called traditional Japanese Yamato-e technique, but also from both the East and the West. In fact, in "Fugaku Sanjurokkei" (Thirty-six Views of Mt. Fuji), Hokusai used a combination of Western perspective and Yamato-e techniques. Fugaku Sanjurokkei (Thirty-six Views of Mt. Fugaku) skillfully incorporates and mixes Western perspective, Yamato-e's arrangement method, and the then newest Chinese shading and shading techniques. The paints are also made from rocks, which were not conventionally used. The paints used were not only the traditional iwa-e paints. He also used a new type of painting material called "Vero Ai" imported from the West at that time. The reason why "Fugaku Sanjurokkei" is a masterpiece is that Hokusai poured everything he had accumulated into this work and reached a certain point of perfection. Hokusai's work is a masterpiece because it is the culmination of all that he had accumulated and reached a certain point. -Excerpt from the commentary |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From May.23rd to Jul.26th |
| Air Mail | From May.7th to May.9th |
| EMS | From May.2nd to May.9th |
| Pantos Express | From May.8th to May.13th |
| DHL | From May.2nd to May.8th |
| UPS | From May.2nd to May.8th |
| FedEx | From May.2nd to May.8th |
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Hokusai is said to have acquired various techniques, not only the so-called traditional Japanese Yamato-e technique, but also from both the East and the West. In fact, in "Fugaku Sanjurokkei" (Thirty-six Views of Mt. Fuji), Hokusai used a combination of Western perspective and Yamato-e techniques.
Fugaku Sanjurokkei (Thirty-six Views of Mt. Fugaku) skillfully incorporates and mixes Western perspective, Yamato-e's arrangement method, and the then newest Chinese shading and shading techniques.
The paints are also made from rocks, which were not conventionally used. The paints used were not only the traditional iwa-e paints.
He also used a new type of painting material called "Vero Ai" imported from the West at that time.
The reason why "Fugaku Sanjurokkei" is a masterpiece is that Hokusai poured everything he had accumulated into this work and reached a certain point of perfection.
Hokusai's work is a masterpiece because it is the culmination of all that he had accumulated and reached a certain point. -Excerpt from the commentary
さまざまな技法を取得していたと言われている。現に､「冨嶽三十六景」には､
西洋の遠近法と大和絵の配置法､さらに当時最新と言われた中国の陰翳法を
巧みに取り入れ､混合している。絵の具も従来使われてきた岩絵の具だけではなく､
当時､西欧から輸入された「ベロ藍」と呼ばれる新種の画材を使っていたという。
この「冨嶽三十六景」が傑作である所以とは､こうして北斎が積み重ねてきた「すべて」を注ぎ込み､
ある到達点を極めた作品だからに他ならない。—解説文より抜粋—