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SEIGENSHA Art Publishing
| Address | 9-1 Umetadacho Kyotoshinakagyokukarasumahigashiiru Kyoto, JAPAN ZIP:604-8136 |
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| Representative Name | MAKOTO KATAYAMA |
| Annual Revenue | closed |
| No. of Employees | 24 |
| Web Site URL | |
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SD item code:5202455
| Detail | Price & Quantity | ||
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| S1 |
Taikan Yokoyama
 Original text before translation
横山大観
(396)
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(396)
Wholesale Price: Members Only
1 pc /set
Sold Out
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| Shipping Date |
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About 10 days
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| Dimensions |
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A6 size/32 leaves Postcard book
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| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Product tag: None
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Description
| For Taikan, patriotism meant nothing less than honoring the emperor and loving nature. What he could do as a painter was to paint works that represented the nation more than they represented the individual. In the Showa period (1926-1989), he began to paint many subjects that were dubbed auspicious in Japanese imagery, such as Fuji, sunrise, the sea, cherry blossoms, cranes, and pine trees. Fuji, sunrise, sea, cherry blossoms, cranes, and pine trees. The important thing, however, lies beyond that. While repeatedly depicting themes that could be said to be clichéd, which everyone depicts, The reason why we can sense Taikan's uniqueness in each of his works is that he was able to demonstrate his figurative individuality. The seriousness of his work, which differs from that of the Taisho period, may be due to his sense of duty to the nation through his painting, His works, which express his joy for nature and life, always show a relaxed Taikan style. Ryo Furuta (Associate Professor, The University Art Museum, Tokyo University of the Arts) - Excerpt from the preface Recommended for inbound visitors. |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Aug.20th 2026 to Oct.22nd 2026 |
| Air Mail | From Aug.4th 2026 to Aug.6th 2026 |
| EMS | From Aug.3rd 2026 to Aug.6th 2026 |
| Pantos Express | From Aug.5th 2026 to Aug.10th 2026 |
| DHL | From Aug.3rd 2026 to Aug.5th 2026 |
| UPS | From Aug.3rd 2026 to Aug.5th 2026 |
| FedEx | From Aug.3rd 2026 to Aug.5th 2026 |
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Some trading conditions may be applicable only in Japan.
*Important Notice Books are subject to the resale price maintenance system, which allows publishers to specify the selling price by law. We ask that your company also adhere to the sales price specified by us. If you fail to do so, we will terminate the transaction. We ask for your understanding in advance.
*Delivery of pre-order items If you place an order for pre-order items together with other books, we will basically put them all on hold at the same time and ship them together after the pre-order items are back in stock. *If you wish to have only the other books shipped first, please contact us by message. [Exceptions]. If the total order amount for both the reserved items and the other books exceeds the shipping lot, we will ship the other books first with the earliest possible delivery date. |
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What he could do as a painter was to paint works that represented the nation more than they represented the individual.
In the Showa period (1926-1989), he began to paint many subjects that were dubbed auspicious in Japanese imagery, such as Fuji, sunrise, the sea, cherry blossoms, cranes, and pine trees.
Fuji, sunrise, sea, cherry blossoms, cranes, and pine trees. The important thing, however, lies beyond that.
While repeatedly depicting themes that could be said to be clichéd, which everyone depicts,
The reason why we can sense Taikan's uniqueness in each of his works is that he was able to demonstrate his figurative individuality.
The seriousness of his work, which differs from that of the Taisho period, may be due to his sense of duty to the nation through his painting,
His works, which express his joy for nature and life, always show a relaxed Taikan style.
Ryo Furuta (Associate Professor, The University Art Museum, Tokyo University of the Arts) - Excerpt from the preface
Recommended for inbound visitors.
画家としてできることは、「個」を表すこと以上に「国」を表すような作品を描くことだった。
昭和期に入って、富士、日の出、海、桜、鶴、松など日本的イメージに吉祥性をダブらせる画題を
多く描くようになるのはそのためである。 ただし、重要なことはその先にある。
誰しもが描く陳腐とも言えるテーマを繰り返し描きながらも、
誰でもない大観らしさがどの作品からも感じ取れるのは、大観がその造形的個性を発揮していたからである。
大正期とは異なる真面目さは、「彩管報国」（絵筆を執って国に報いる）という使命感からくるものだろうが、
自然と人生に対する歓びを表す作品は、つねにゆったりとした大観スタイルを見せている。
古田亮（東京藝術大学大学美術館准教授）−序文より抜粋−
インバウンドにもおすすめです。